Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

***"Ode to Untitled"***  is a culmination of inspiration from the color field and minimalist painters of the 20th century.  While my medium has changed from disc golf discs, to canvas, to digital canvas, to digital photography, and finally to code editor - the inspiration and output has remained abstract.  Seeing the works of Clyfford Still, Morris Louis, Agnes Martin, Barnett Newman, Mark Rothko, Ellsworth Kelly, Frank Stella, and Kenneth Noland (among others - hi Roy) seeded my desire to create visual art.

What many of these artists have in common, sometimes for differing reasons, was a fondness for naming their works *"Untitled"*.  Clyfford Still was entirely dedicated to this practice, while others came and went.  When other titles were used, often they were nondescript cataloging values or a rote description of the colors or shapes found in the work.  And, of course, abstract art history in general, and our current day, is littered with *"Untitled"* works.  Whether a desire to leave interpretation open to the viewer, not wanting to sully their visual work with words, a dedication to minimalism, or laziness - it's all fine with me.

While "Ode to Untitled" is not a direct reflection of any particular works, you will see influences shining through:  zips of color streaking across the canvas, an appreciation of the simple square and grids, a focus on texture, large fields of color, and a love of minimalism.  This one goes out to all the *"Untitled"* works.

**High Resolution Downloads:**
* Press 1 for a resolution of 3000px
* Press 2 for a resolution of 6000px
* Press 3 for a resolution of 9000px

*Resolutions may vary if you scale your display*

Ode to Untitled

We've studied the strange geometric images since they appeared. Our instruments detect new shapes, new colors, more depth, and detail. Are they evolving, or just getting closer? More study is needed.

Eccentrics 2: Orbits

***Vahria*** is an inquiry into the breaking points between two and three dimensions. Using spheres I attempt to create a tension between flatness and depth. Regular bodies become distorted blobs and circles. Occasionally, triangles are revealed, which are fundamental units in computer graphics.

The project is also a playful comment on constructivism and its dominance as a visual style in current generative art NFTs. In Vahria, I take the deconstructivist approach, favouring fragmented volumes, asymmetries and skewness, over linear forms, straight lines and right angles.

It is strongly encouraged to see the pieces on **full screen**. Otherwise, details of the renders are missed. You can export high-resolution images of the mints to disk by clicking on the artwork and pressing one of the following keys:

[1] : Full HD resolution (1440x1920)
[2]: 4K resolution (2880x3840)
[3]: 6k Resolution (4320x5760)

Vahria

﻿Abstraction is a complex abstract artwork created in several stages where each new element drawn takes into account the elements drawn in the previous stages.

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