Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

I feel like an imposter. Pseudo-anonymous as *ippsketch* while maintaining an engineering career and family life. I live on the edge of two worlds, immersed in self-doubt. Leaning into each space, I bring a part of each world with me, but wonder if what I bring is enough. I question my identity while learning to embrace it. Art, after all, is made by ordinary people. And I wonder, does anyone really know what they're doing?

*Imposter Syndrome* is an expression of my seeming dual existence and my feelings of not being enough in many aspects of life. But I do not mean for this to be entirely prescriptive to the work and often see other interpretations and meanings myself, such as anytime I straddle the edge of something new, when I'm on the fence and making a decision between two directions of my life, or if I consider the shadow or light I cast in the spaces and people around me. These pieces move me differently from day-to-day.

This work leans into minimalism. As trends in generative art push toward the visually complex and highly technical, I find my current focus on simple composition and compelling structure. I'm also drawn to broken symmetry, which echos my dual artist/engineer life and is also what I consider to be a visual representation of generative art - design and order on the one hand, random variation within constraint on the other.

Color palettes echo those used in *Bent*. Simple and bold colors with stark black and white support. Pieces are rendered in a default poster size (3:4), but are also adaptive to screen size so that they can fit any display. The work can be interacted with by pressing the number keys 1, 2, 3, 4 to see the steps of construction.

Imposter Syndrome

Today the base orbiter has started to move. Oscillating harvesters had the ability to generate an enormous amount of self-sustaining energy. They seem to establish parallel communication in resonance with cosmic frequencies but I find myself unable to decode the signal into anything meaningful.

R3sonance

*Erratic : irregular in performance, behaviour, or attitude; inconsistent and unpredictable*

One’s harmony with the world can become severed while experiencing stress. Feeling lost or confused within a clouded mind, struggling to call upon a creative muse, defending your self-worth against creeping doubts, and projecting flashes of anger towards others. This torrent of bubbling turmoil can sustain by fixating on the moments of chaos, past, and present. Continuing to feed the storm in this way ultimately will lead to burdensome strife and a ravaged mind.

As a nascent artist working to hone my artistic abilities and establish myself within a historical art movement, I have often experienced stress along my journey. This collection captures these internal struggles as fragmented waves of colour arranged across a spectrum of relative calms, chaotic bursts, and winding paths. Each piece reflects a unique sense of uncertainty.

My intent for Erratic was to challenge myself to create a purist’s form of generative art, wherein a set of randomized values are shaped to be used directly as inputs into an instruction path that is consistent in execution and does not use branching conditionals as a means of achieving variety in composition, colour or form. By actively rejecting predetermined features in favour of shaping a domain that is acted upon consistently, I felt I could achieve occurrences of uniquely identifiable emergent design that I otherwise may not have discovered. The work begins with a euclidean coordinate space intended to render a smoothed half-torus which is then randomly mutated through progressive iterations of translations, rotations, polar reflections, slices, twists, and distortions. This pattern of operations produces a nearly infinite set, shaped only by the defined input ranges, from which each piece will be minted. Any knowledge of the instantiated values before viewing could not lead to any reasonable prediction of what will be rendered.

Erratic

Liquid Ruminations is an algorithm inspired by the contemplative effect of moving water.

Unique invocations of this algorithm consist of any number of several core components including waves that rise and fall, a flow field powered mist, and droplet shapes arranged in a dancing field that are distorted in a rhythmic, sometimes stormy animation.

These effects are combined and brought to life with mathematical wave functions in order to create movement that is ideally conducive to a meditative state. Viewers are encouraged to take the opportunity to reflect on precious things that we tend to take for granted, primarily easy access to clean water.

The outputs of this algorithm are interactive:

You may toggle a "Liquify" mode on and off by double-clicking the invocations.

Spacebar pauses the animation.

's' key saves a local screenshot.

'r' key reloads the piece.

Please note: This project is very CPU intensive and performs best at moderate resolutions on modern desktop devices. Chrome will provide the best experience. Full screen recommended.

Primary and secondary sales proceeds from this project will be donated to Water.org - an important organization with the critical mission of providing affordable access to safe water to people around the globe.

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