Inspired by Dutch artist Piet Mondrian. Made with an interest in color theory and a love for color in general.

Dot Grid

I feel like an imposter. Pseudo-anonymous as *ippsketch* while maintaining an engineering career and family life. I live on the edge of two worlds, immersed in self-doubt. Leaning into each space, I bring a part of each world with me, but wonder if what I bring is enough. I question my identity while learning to embrace it. Art, after all, is made by ordinary people. And I wonder, does anyone really know what they're doing?

*Imposter Syndrome* is an expression of my seeming dual existence and my feelings of not being enough in many aspects of life. But I do not mean for this to be entirely prescriptive to the work and often see other interpretations and meanings myself, such as anytime I straddle the edge of something new, when I'm on the fence and making a decision between two directions of my life, or if I consider the shadow or light I cast in the spaces and people around me. These pieces move me differently from day-to-day.

This work leans into minimalism. As trends in generative art push toward the visually complex and highly technical, I find my current focus on simple composition and compelling structure. I'm also drawn to broken symmetry, which echos my dual artist/engineer life and is also what I consider to be a visual representation of generative art - design and order on the one hand, random variation within constraint on the other.

Color palettes echo those used in *Bent*. Simple and bold colors with stark black and white support. Pieces are rendered in a default poster size (3:4), but are also adaptive to screen size so that they can fit any display. The work can be interacted with by pressing the number keys 1, 2, 3, 4 to see the steps of construction.

Imposter Syndrome

Zupermat is the infinite documentary on the life of pseudo-random rectangular cuboids. Sometimes a deep dive into a particular side of their construction, other times a broad portrait of their organization as gangs, mob and anarcho-secret societies. 

The smooth and transient aspects of Zupermat will let the collector cohabitate with the piece while softly populating his peripheral vision. A brief glance, while immersed in reflection, should provide the reassuring motion to dive deeper into thought - or emerge with a newfound sense of direction.

A full description of the features is available on the [Zupermat page](https://0xphiiil.art/zupermat).

[spacebar] pause and reflect

Zupermat

Invasion Percolation is the first network visualization of modern network science and the first generative network art. The algorithm was built by Albert-László Barabási in 1994, and the surviving 1995 output opened the Hidden Patterns retrospective of BarabásiLab at ZKM Karlsruhe in 2021 and the Ludwig Museum in Budapest in 2020. The release of Invasion Percolation as a generative NFT is part of a hybrid performance involving the metaverse and the traditional gallery and museum space. Each copy of the 782 series, corresponding to the number of links on the published 1995 version of the work, will be printed and each printed work’s title, permanently recorded on the physical artwork, will be the NFT owner who generates the work. In rare instances, the algorithm will generate sculptures that will be 3D printed. The 2D and 3D prints will be shown at the Cyberart Gallery in Boston, Postmaster Gallery in New York, Ludwig Museum in Budapest (Hungary), and New Kriterion Gallery in Csikszereda (Transylvania, Romania), each location receiving unique artworks. With the release of Invasion Percolation as a generative NFT, empty exhibition spaces will gradually fill in thanks to the actions of the collectors, who generate and name the work.

Invasion Percolation

Cushions brings together image processing and generative art techniques. The latter provides the geometric structure, and the former creates the organic shapes. Every single pixel and its connectedness to other pixels are explicitly considered. Inspiration for the palettes ranges from digital illustrations and pastels to a nod to renowned artists and different ethnicities. The organic shapes and the textures within symbolize the beauty in our individual oddities. Some pieces evoke the semblance of fantastical dreams in starry nights. Some of the comfort and familiarity of home. Some of nostalgia and long-lost friends. Some of reasonable and grounded perspectives. Some of sparks, some of style, some of strength, and some of passion. Some of candy. Some of pop art. Some of modern interior design. And some of traditional Indian cushions, known as Takiya.

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