Beautiful bouquets of generative flowers, with fascinating diversity in numbers, shapes and colour combinations. Each one has its own personality, its own character, and is always stunning and surprising, as you can expect with flowers in their natural form.

Flowers

This system represents the love I feel for generative art. It also represents the effort of remembering that the simplest methods produce the most alluring results. Generative programs can give you art if that's what you look for, but they can also give you worlds, and questions about the ones that live in them.

An excerpt from a sailor that saw one of these worlds:

"I looked across the sea and glimpsed a city. An impossible place that just as quickly disappeared, as if it had been plucked from another dimension and placed briefly on the horizon to taunt me. In an instant I knew, or felt, three absolute truths, given to me by whatever force brought the city into sight and took it again. The first was that I could never reach it, and should I dedicate the rest of my life to contesting that fact, I would only ever find the water and land of my own world. The second was that in the city there lived someone I could love for the rest of my days. The third was that this someone had glimpsed out their window a ship unnatural to them, and felt the same three truths as I."

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I feel unmeasurable appreciation to anyone that supports this project. Charitable donations will be made to St. Jude Children's Research Hospital thanks to you.

Each layer is built organically square by square which are then deformed at their corners. There are chances for countless variations through tighter density, symmetry, deformation strength, and color. There is even a chance that the inhabitants will architect the impossible and reach for another canvas, breaking free of their own border.

Masonry

In the right hand, a pen can effortlessly reveal the most characteristic features of a person, inside and out. Following the twist and turn of the line, echoes of practice and repetition, the path becomes a walk through the recesses of a subconscious human mind. Total Strangers pays tribute to this time-honoured flight of the human creativity, generating a rogue’s gallery of faces from a continuous fluid line and a virtual pencil case of select drawing tools. We invite you to follow the line as it goes for a walk. Watch it unfold and give life a cast of unique characters, reflections of those around us.

[P] - Pause
[B] - Toggle transparent background
[F] - Performance-agnostic desired frame rate. Switch between 30 (default) and 60.

Total Strangers

Pointila explores what happens when you combine the meticulous dots reminiscent of Pointillistic painting techniques with the channelled randomness of generative art, whilst also examining how subtle changes in parameters can paint similar forms in different styles.

Pointila is designed for display and interaction. Clicking on a live mint will trigger an animation loop between the primary and secondary palettes, click again to pause. Press 0, 1, 2, 3 or 4 on your keyboard to change glitch state. Press S to download a high resolution print.

Pointillism emerged from a collision of art and science in late 19th century French painting. Developed by Georges Seurat, his appeal to science, rigour and order built upon the broken brushstrokes of the Impressionists, as painting began to reckon with the emergence of the new technology of photography. Unbeknownst to Seurat, this response to one technology would foreshadow another – that of digital displays and pixels.

Rigour and order was manifest in the distinct dots of colour that give Pointillism its name. From a distance, the eye mixes these dots into vibrant, luminous scenes. This optical mixing bears a striking similarity to the way pixels work to display images on screen for us today.

“It’s done mechanically?” was a question posed at an 1894 Neo-Impressionist exhibition. The answer then was no. Pointila is both more and less mechanical than the Pointillist work that provoked the question. More, in that the hand of the artist has been replaced by the work of the computer – an extension of Seurat's efforts to remove the free hand of the artist. Yet less, with the ultimate position of each of the millions of dots decided randomly, unknown to the hand of the coder.

The Pointila algorithm first divides the canvas into columns. It then traverses the canvas dropping dots along those columns. From just a handful of layers, landscapes emerge. They take on a variety of forms: from rolling plains and steep canyons to jagged peaks and dreamy moors. Some are sharp and tense, others hazy and ethereal. They are coloured with handpicked palettes and animated with bold glitches – a nod to the shared optics of Pointillism and pixels.

Subtle changes in initial parameters give rise to similar landscapes painted in different styles. Faint echos, perhaps, of the different styles we see from Seurat in the numerous studies related to his masterpiece Un dimanche à la Grande Jatte.

Pointila

Hashtractors are a collection of generative renderings of various parametric equations commonly know as "strange attractors". These equations are at the heart of chaos theory; a branch of mathematics focused on the study of dynamical systems that are highly sensitive to initial conditions. A selection of 29 different equations has been made for this collection. Hash data is used as their parameters.

Art Blocks Presents

Flowers #4085

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About Flowers #4085

RVig

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