"Organized Disruption" uses a circle packing algorithm to position and scale objects on a plane in an organized pleasing composition. A series of weighted probabilities determines how this composition is disrupted by picking 1 of 3 forms... squares, spheres (slight elevation off plane), rectangles (extreme elevation off plane). Probability also determines 1 of 9 color sets (some colors being harder to acquire), and 3 possible color animations (slow, medium, fast). Each seeded token hash "might" unlock a collection of mouse interactions... proximity object displacement, proximity scale up, proximity scale down, proximity object mutation, proximity object rotation. All minted compositions include "mouse + click + drag" to rotate the system. All minted compositions can press the "s" key on your keyboard to "save" an image.

Organized Disruption

- Click and drag (dont forget realease) to find new combinations. Go to the center to close the interference. Go to the edges to open it.
Double click change mode (Auto - Tactil )

INTERFERENCES is about reordering the elements, altering the parts that make up the shapes and identifying the possibilities of color ordering.
Here, the variability is found in the subtle, seeking to challenge the sensitive vision of the viewer, generating displacement effects, or simply proposing a minimal visual design.

Interferences is an excuse to return to color theories from the Bauhaus and Latin American cinetics artist, that made up the artistic avant-garde of the 1950s. From there, the project seeks to continue developing on the relative characteristics of color: those situations in which our experience of the color changes according to the context. How to use color? It's not what colors, but how colors are used that define artists.

The instability appears as a game in the work on the form, breaking out the circle as a standard of harmony and perfection. How far can you continue to recognize a shape? It is this instability that suggests movement, like a photograph of a moment in the sequence, waiting to be completed.

What characteristics does the work of art of web3.0 must have? That was one of the questions that motivated this work. There could be several answers, but I think one of them would definitely have to do with the possibility of change: is not a jpg, is not a .mov: it is a piece of software that you can touch and modify, find new possible outputs and play with variability.

Interferences is a project of #purevisibility: there is no message. There is experience.

Interferences

The mutability of life, the endless directions we can take, and the encounters that shape our existence. Divenire represents life as a constantly changing experience made of decisions, boundaries, and contaminations.
As human beings, we are what we feel, so each color palette embodies a state of mind.

The artwork is responsive, and the animation is endless.

Hit 's' during the live mode to save the exact frame you're seeing.
Refresh the page to restart the animation.

Divenire

Rippling is a generative algorithm that recreates the impression of a raining day. It is a research for the balance between order and chaos. It is also a journey through time and light. Each token represents a different moment and space, creating a unique composition.

I took great inspiration from Impressionism, focusing on capturing the light of a moment. The highlights of the ripples are calculated with a simulated 3D water surface combined with a directional light in order to achieve the realistic look of the reflection. The result of this then serves as a base for laying the strokes on the canvas. Light plays an important role in our memory. Through the light and the colour we travel back to different moments and places in our memory.

The colouring of Rippling is inspired by the 24 solar terms of the Traditional Chinese Calendar. Each term represents a different period in the year. Rippling uses these terms to represent not only the time but also the memories of the season.

Growing up on a subtropical island, rain was a big part of my childhood. I can vividly recall those heavy showers in the afternoon of the summer. It washed out the agitating heat and calmed the world. With Rippling, I'm seeking to use a generative algorithm to recreate the feeling of a rainy day or night at different moments. And perhaps, it could remind you of the sound of the rain drops, the scent of the dirt after the rain or that moment the sunset peek through the heavy cloud ...

Rippling

Abstract impressions of alien landscapes, aerial photographs and geometric structures sequence into being, collapsing onto itself.

Press 'h' to  enable full internal resolution (intense)
Press space bar to relaunch animation
Press 'e' to enable endless displacement mode

Best viewed with Chrome and a modern desktop. Reduced animation on Firefox.

10% of the primary sale net proceeds will be split with a charity focusing on environment and a local art nonprofit

Art Blocks Presents

Organized Disruption #32

Joshua Davis / PrayStation

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