We've studied the strange geometric images since they appeared. Our instruments detect new shapes, new colors, more depth, and detail. Are they evolving, or just getting closer? More study is needed.

Eccentrics 2: Orbits

The 1980's and 1990's as an iterative dream, computer-aided RAD designs. Essentially, an expanded iterative Memphis/Neo-Memphis style project meant to emulate the free-flowing and fun spirit of the movement in tight compositions that surprise with each combination and position generation.

autoRAD

- Click and drag (dont forget realease) to find new combinations. Go to the center to close the interference. Go to the edges to open it.
Double click change mode (Auto - Tactil )

INTERFERENCES is about reordering the elements, altering the parts that make up the shapes and identifying the possibilities of color ordering.
Here, the variability is found in the subtle, seeking to challenge the sensitive vision of the viewer, generating displacement effects, or simply proposing a minimal visual design.

Interferences is an excuse to return to color theories from the Bauhaus and Latin American cinetics artist, that made up the artistic avant-garde of the 1950s. From there, the project seeks to continue developing on the relative characteristics of color: those situations in which our experience of the color changes according to the context. How to use color? It's not what colors, but how colors are used that define artists.

The instability appears as a game in the work on the form, breaking out the circle as a standard of harmony and perfection. How far can you continue to recognize a shape? It is this instability that suggests movement, like a photograph of a moment in the sequence, waiting to be completed.

What characteristics does the work of art of web3.0 must have? That was one of the questions that motivated this work. There could be several answers, but I think one of them would definitely have to do with the possibility of change: is not a jpg, is not a .mov: it is a piece of software that you can touch and modify, find new possible outputs and play with variability.

Interferences is a project of #purevisibility: there is no message. There is experience.

Interferences

DIVERGENCE
Divergence, a never-ending abstract motion work, reacts to audio and touch inputs.  Dive into stacks of deterministic layers to explore emerging patterns, and fine-tune the audio reactivity to your preferences.  

You may wish to use the controls to wander within Divergence until the aesthetic feels right to you, or complements your audio input.  Navigating the art in this way gives a tangible window into my artistic process.  My aesthetic is influenced by the music I listen to as I code. I enjoy experimenting and looking for the art in the algorithm.  This can mean playing with overarching ideas, but also making many small changes until I find consistent visual appeal over a range of outputs.  

Divergence exhibits animations changing over time in expanding, textural layers.  It elaborates on concepts I’ve developed in previous works: my approach to color in phase; linear motion in Parade; interlacing lines and expansion/contraction in Kaleidoscope; and the noise textures of Sift.  Newly explored is continuous animation with touch and audio inputs, which affect the viewing position in time and space.  

A common quip in the Art Blocks community is that motion art has a penalty. Many enjoy a final product that is printable to frame at home.  As technology advances, I believe it is equally important to create work that can only exist on a screen, and is unique to digital art. Larger displays are catching up to the artistic space and becoming more accessible, but I also want my work to be approachable immediately.  Keeping the code lean and performant allows it to run well on a range of screen sizes and processor powers, from mobile devices to multi-story displays.  There has been discussion that a body of motion work takes a long time to sift through, as it needs to be viewed live.  In consideration of this, I made Divergence immersive, rather than a static experience. I want the extra time spent with it to be fun and entertaining.  

Usage: Navigate left/right to traverse the timeline; navigate up/down to travel through the layers and expand/contract the patterns.  Please see “Display Notes” for further instructions (user input, audio reactivity, url parameters).  Accessibility is important to me, so Divergence accepts inputs from touch, keyboard, mouse, and gaming controllers with an analog stick.  

*Photosensitive seizure warning: These artworks contain flashing colors and moving patterns.

Divergence

Darwin’s Orchid wasn’t discovered by Darwin, but he correctly hypothesized that its long blooms, up to a foot and a half tall, coevolved with a moth with a very long tongue—just long enough to extract its nectar. This flower embodies the great variety of and fascination with the orchid family. Orchids come in all shapes, sizes, colors, textures and scents—perhaps this is why they’ve entranced cultures dating back well over five millennia, becoming symbols of virility, beauty, peace and prosperity in the process. Named “Cattleya” after my first rare orchid, this work is my Ode to Orchids—a mystical flower that brings me endless delight.

Read more about my [inspiration & process↗](https://bensnell.medium.com/7c943673d54f)

*Notes:*
*— This project is intended to be run on modern devices, operating systems and browsers. Older ones may yield undesired or undefined behaviors.*
*— This script includes a modified version of [glsl-fast-gaussian-blur](https://github.com/Jam3/glsl-fast-gaussian-blur), licensed under the MIT License (MIT) Copyright (c) 2015 Jam3.*

Art Blocks Presents

Eccentrics 2: Orbits #116

Radix

More in Art Blocks Presents

autoRAD

sgt_slaughtermelon & Tartaria Archivist

Interferences

Juan Pedro Vallejo

Divergence

Loren Bednar

Cattleya

Ben Snell

Art

Company

Learn