We've studied the strange geometric images since they appeared. Our instruments detect new shapes, new colors, more depth, and detail. Are they evolving, or just getting closer? More study is needed.

Eccentrics 2: Orbits

'Systems Madness' is a collaborative project by Claudia Hart and Andrew Blanton that explores what happens when reason meets unreason. Inspired by the short story "The Yellow Wallpaper" (1892) by Charlotte Perkins Gilman, the project uses AI tools to transform literary language into a library of visual tropes, a translation of emotional expression into code. Together Hart and Blanton reconstruct the pattern language of romantic era wallpapers using warm, off-primary colors, noises, gradients, blurrings, layerings, and apply different fractal formations, repeated irregularly, pushing beyond the human desire to create order out of chaos. 'Systems Madness' is a mesmerizing interactive artwork that extends ‘beyond the wallet’ into our domestic spaces.

Exhibition Description: ‘Systems Madness’ from Claudia Hart is a conceptual artwork that extends beyond the screen. Collectors can interact with the work minted on Art Blocks, and they can also access a set of instructions for how to install the artwork as an interactive floor-to-ceiling wallpaper at home or in a public exhibition.

Artist Statement:
"Together we framed a question - what happens when reason meets unreason? The response: the all too human desire to create order out of the chaos of this world; and identically - the truth - that too much order can actually drive you mad!"

More information at https://madness.systems

After the allowlisted fixed price sale ends, there will be an auction starting at 1pm ET with a starting price of 2 ETH, and decreasing over the span of 30 mins to a final resting price of .1 ETH

The artists will donate a percentage of profits from the sale of this collection to the Center for Reproductive Rights.

Systems Madness

Particles of light dance to create ephemeral forms that depict the formation of our celestial souls.

*Worlds Within* explores the aesthetics of the invisible as part of the artist’s ongoing research of light in motion. As various forces influence more than 500,000 particles in real time, a dynamic “stardust sculpture” emerges, each reflecting a spirit’s unique personality through forms such as swirling currents, dancing flames, glowing filaments, and neural pathways.

Building upon the use of organic form in *Bubble Blobby*, evocative color in *Glow*, and meditative motion in *Light Beams*, *Worlds Within* additionally simulates simple yet beautiful phenomena in the natural world like gravitation and chromatic aberration to reveal how hidden forces on the micro scale affect the whole in surprising ways.

*Worlds Within* is inspired by Cai Guo-Qiang's pyrotechnics, Thomas Wilfred's kinetic light art, and outer space phenomena. Drawing on these influences to create a unique visual aesthetic, *Worlds Within* gives the viewer a glimpse of the intangible: the stark black background disorients the viewer's perception of setting, scale, and dimension—much like James Turrell’s immersive light works—and draws attention to the center of the frame, where something mysterious and beautiful emerges.

#### Shortcuts
* **q:** toggle quality to lower resolution (default is high)
* **m:** toggle rendering mode to time-based rendering, some frames may be skipped (default is frame-based rendering, every frame is rendered)
* **mouse click + drag:** rotate view
* **spacebar:** pause/resume
* **s:** save screenshot

Note: requires a WebGL2-enabled browser and a decent GPU.

Worlds Within

'Origami Dreams' represents me in a very intimate way. It is the product of doing generative artwork for years, experimenting in the intersection between movement, poetry and mathematics. Each piece is determined by a random seed. There are two possible states in the artwork, one static and one dynamic. You can switch between the two states with a mouse click. The prime number 13 guides all of the artwork. You will get one of 13 different characters, and each 'Origami' is defined by 13 random points. There are also two layers of 'stars', completely random in color and position. The possibilities are infinite, and every mint is a different outcome.

Origami Dream

A yearning. For places we haven't been or seen.
Seasons come, seasons go, and at times how the sun slants through those leaves on an autumn afternoon stays with us - we try to recollect that fleeting memory or imagination - an escape from the mundane. To places far away. 

Fernweh is a window to that space , spaces we yearn to see. And as in nature, lines are never too straight, colours are as bright as they come.  
Generative art that anyone can relate to - there's something for everyone in Fernweh.
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Why Fernweh?

Fernweh is an attempt to strike a balance between the Figurative Art genre, the Generative Art medium and NFTs. Generative Art usually has very measured lines, intricate designs and a very well executed, "clean" and “sterile” feel to it. Figurative Art on the other hand is oft full of “Happy Little Accidents” as the legendary Bob Ross would have said - a smudge here, a blob there - relatable and human.

Talking of humans, the most sold and easily relatable works of art, be it paintings or photographs, are figurative in nature and are of landscapes. With generative art, this is usually not common - there’s a tendency to lean towards the abstract - and yes, abstractness is beautiful, personally as an artist, I love it. That said, a lot many of us relate easily to figurative art than to the abstract. My personal theory is that humans are always looking for quick answers and the comfort of recognizable surroundings and figurative art gives it to us on a platter. 

Fernweh tries to create that perfectly imperfect mix. Figurative art through procedural generation. Palettes with enough contrast and colour to be the living room’s focal point, art that anyone can relate to - an NFT that, hopefully, will not need a lot of explanations but complex and beautiful enough to attribute value to. Oh, and with one additional render each to satiate that abstract lover in us.

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Features & Generation

Each season's palette is drawn from random combinations of nearly 100K handpicked outcomes for Petal, Leaf, Veins, Connectors,  Leaf boundaries, Bark perforations and the background.

The rendered output transitions through 3 phases - Abstract, Original and Etched images. This means that each mint has three different renders that change based on the Transition attribute. Some will change everyday, some in a couple, some in a week's time and so on!  

See below how to Interact with Fernweh in Live View mode (full-screen): 
- In full-screen mode, watch your trees render and grow into a grove.
- Click the mouse in live-view to toggle through the three renders (Abstract, Original and Etched). It may take a few seconds to toggle through the three rendered views.
- Undisturbed, the transition of the renders reverts to Phase Attribute values.
- Press the key - "S" - to download the render you want to save. 

Please note that the render is a bit resource intensive and may take from 1 min to 2.5 mins to render and load.

Digital Art Display Giveaway: 10 minting addresses will be randomly chosen to receive a Smart Digital Art Display and frame! Winners will be picked once the minting is complete (shipping costs will be borne by the artist).

Enjoy your three renders! 

Art Blocks Presents

Eccentrics 2: Orbits #456

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