***"Ode to Untitled"***  is a culmination of inspiration from the color field and minimalist painters of the 20th century.  While my medium has changed from disc golf discs, to canvas, to digital canvas, to digital photography, and finally to code editor - the inspiration and output has remained abstract.  Seeing the works of Clyfford Still, Morris Louis, Agnes Martin, Barnett Newman, Mark Rothko, Ellsworth Kelly, Frank Stella, and Kenneth Noland (among others - hi Roy) seeded my desire to create visual art.

What many of these artists have in common, sometimes for differing reasons, was a fondness for naming their works *"Untitled"*.  Clyfford Still was entirely dedicated to this practice, while others came and went.  When other titles were used, often they were nondescript cataloging values or a rote description of the colors or shapes found in the work.  And, of course, abstract art history in general, and our current day, is littered with *"Untitled"* works.  Whether a desire to leave interpretation open to the viewer, not wanting to sully their visual work with words, a dedication to minimalism, or laziness - it's all fine with me.

While "Ode to Untitled" is not a direct reflection of any particular works, you will see influences shining through:  zips of color streaking across the canvas, an appreciation of the simple square and grids, a focus on texture, large fields of color, and a love of minimalism.  This one goes out to all the *"Untitled"* works.

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Ode to Untitled

Cyber Cities

«Ottocento» is a collection of generative portraits of fictional historical figures. The series starts by exploring the nuances of the male figure as represented in the 19th century («Ottocento» in Italian). Further chapters of the project, focusing on different identities, are planned. The illustrations, drawn by hand and then converted to digital, constitute an ironic portrayal of the society of that era. The portraits, all in the same three-quarter view, reference the typological projects of German photographer August Sander.

Individual features and expressions are combined through the controlled randomness that generative art affords, deliberately blurring clear visual distinctions between nationalities, roles, and social classes. The result is an «Esperanto» of human types with an uncanny familiarity. Is that a poet? A salesman? An aristocrat? A farmer? Unlike Sander’s project, «Ottocento» doesn’t force any labels on the characters, eventually leaving the interpretation open to the viewer.

Ottocento

Where The Wind Blows explores gradient maps and patterns on an unconventional canvas. It features the international maritime signal flags and a wild mix of color palettes and shapes. Some are high-contrast and playful while others are subdued and calm. Some are more realistic, staying true  to the nautical theme.

Where The Wind Blows

**FOCUS** is a 1000 image meditation, and it is my second release of Zen-inspired generative art, following [Ensō](https://www.artblocks.io/project/34).

This algorithm can produce images that are elegantly minimal, as well as images featuring complex patterns that explore visual illusions and artificial space. The limited palette consists of black, white, and five colors; this both constrains possible outcomes and allows the creation of unique perceptual interactions. Inspired by the Zen art tradition of doing more with less, FOCUS does not utilize any pseudo-random number generation, and each output can be recreated by hand using simple math, estimation, and dedication. Except in extremely rare scenarios, each token can provide a wide variety of visual experiences through its interactive features: use up and down arrows to adjust the pattern recursion factor, left and right arrows to adjust the midpoint count, ‘h’ to hide or show the central shape, and ‘s’ to save. FOCUS is best viewed live and full screen.

*Interactive features: use up or down arrows to adjust the background pattern's recursion, and left or right arrows to adjust the number of midpoints along the sides of the background pattern. Use ‘h’ to hide or show the central shape, and ‘s’ to save an image. To use the token's hash to 'autoplay' the token, use Matto's [FOCUS animator](https://matto.xyz/tools/focus-animator/index.html).

*Companion project: deFOCUSed  is a free-to-claim, 100% on-chain, generative art project, where every FOCUS token creates a deFOCUSed token. It's a free gift to my collectors. (Thank you!) [Claim Site](https://defocused.matto.xyz/) |  [More Info](https://matto.xyz/project/defocused/)

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