Portal

“Our lives are patterns of the fabric produced by the loom of time and space” (Shohaku Okumura). Looms and computers share a history of entanglement, weaving together patterns of binary code. Warp is a work of generative textiles. Modulations of form are woven to create intricate structures, stretching the metaphor of a loom. 25% of artist’s proceeds will be donated to Alianza Arkana, a grassroots alliance committed to the protection and well-being of the Peruvian Amazon and the Shipibo-Konibo peoples.

Warp

### Good job, Computer. Do that some more.

To what degree can we teach a computer to make a painting? One that resembles creation from the imperfect hand of a human. Here, the computer attempts to hide itself from the viewer in the details, such as inconsistent borders or uneven layers of paint. Intentional flaws that a human might make unintentionally.
Good, Computer is an exploration of not only how small cumulative inaccuracies create complete images, but also the forms and harmonies that those images evoke.

Consider the following:

***A set of 4 colors is to be considered -- singly as "actors," together as "cast." They are to be presented in 4 different arrangements -- as "performances."***
***Although they remain unchanged in hue and light, in "character", and appear in an unchanging outer frame, the "stage", they are to produce 4 different "scenes" or "plays," each to be so different that one and the same set of colors will be seen as 4 different sets, presented by 4 different casts.***
***And all this can be achieved mainly through changes in quantity which result in shifts of dominance, of recurrence, and consequently of placement.***
***The essential question: which group of colors is ready to lose its identity as a cast?*** 
***-- Josef Albers***

We can answer this question simply by asking ourselves why we're drawn to some arrangements more than others. In doing so, we consider not just tone, but also quantity, intensity and weight in order to form new relationships between the colours. And as such the viewer gives each image their own subjective personality.

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Press `s` to save image.

Good, Computer

Sol LeWitt's Wall Drawing #118 instructs executors to connect randomly-placed points with straight lines, on a continuous surface of wall. Art Blocks Project #118 imagines that seminal artwork executed on complex, algorithmically-generated walls.

LeWitt Generator Generator

**FOCUS** is a 1000 image meditation, and it is my second release of Zen-inspired generative art, following [Ensō](https://www.artblocks.io/project/34).

This algorithm can produce images that are elegantly minimal, as well as images featuring complex patterns that explore visual illusions and artificial space. Inspired by the Zen art tradition of doing more with less, the limited palette consists of black, white, and five colors. This both constrains possible outcomes and allows the creation of unique perceptual interactions. Except in extremely rare scenarios, each token can provide a wide variety of visual experiences through its interactive features: use up and down arrows to adjust the pattern recursion factor, left and right arrows to adjust the midpoint count, ‘h’ to hide or show the central shape, and ‘s’ to save. FOCUS is best viewed live and full screen.

FOCUS has a free-to-claim, 100% on-chain, companion generative art project called deFOCUSed. It's a free gift to my collectors. (Thank you!) [More Info](https://matto.xyz/project/defocused/) | [Claim Site](https://defocused.matto.xyz/)

Art Blocks Presents

FOCUS #173

Matto

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