The Amoeba is a study of repetition, patterns, and harmony. The code repeats simple shapes in different positions and sizes until they build up to form a colorful and lively Amoeba. View in live mode to watch it dance. Press [1] - [4] to adjust rendering quality. Press [s] to take a snapshot of the Amoeba. Charity: 25% of sales for the first 24 hours will be donated to Meals For Unity, a nonprofit grassroots organization dedicated to reducing food insecurity among marginalized communities in the New York City area.

Amoeba

Mathematics goes deeper than we are taught. The square roots of negative numbers point us towards the shallows of an abyss, as the simple number line expands into the complex plane. Stranger still, that plane is INHABITED, filled with microbe-like entities, among others, waiting to be reified by the right algorithmic invocation. Each work in this apeirographic series is at once a dynamic work of art and an interactive instrument of insight into some of the biomorphic inhabitants of the mathematical realm. Touch the centre to pause and resume the dynamic aspects of the Thereidoscope. Touch the top and bottom to zoom into and out of the biomorphs shown, and the sides to reset the zoom level. Every Thereidoscope is a work of generative fine art and a thoughtful example of slow art, aiming to intertwine the benefits of static and dynamic works, creating an ever-changing experience tempered by aesthetic cohesion that offers something new every time one looks, but without loudly demanding constant attention.  Being resolution, aspect ratio, and framerate independent, Thereidoscopes offer a visually consistent experience on different devices and screen sizes; but are intended to be experienced on large, high resolution displays as long-term/permanent installation pieces.

Thereidoscope

Cryptocountries is a limited-edition series of digital prints using the medium of generative art. Each map is created by first procedurally generating a terrain height map and then rendering a map in a range of different styles and colours. Each print derives its randomness from a corresponding hash constraining the infinite possibilities for each print in the edition to a single unique image.

The series invites the observer to lose themselves in a selection of maps and annotated photographs from the unorganized archives that loosely chronicle the travels of a stranger in a mythical land.


## Prints 

All original token holders that mint a piece over 1.5 Ξ will be eligible for a single edition (1/1) handmade signed print of their edition using a printmaking technique suitable for the style of image (intaglio etching, screenprint, cyanotype, etc.).  The token holder will be consulted in the creation of their print. Size, paper choice, type of ink and even colours can be customized and chosen to suit the token holder's preferences.   

In addition, free signed digital prints on archival paper will be available to the following collectors
- All original holders that mint over 0.6 Ξ will receive a large signed digital print
- All original holders that mint over 0.3 Ξ will receive a medium signed digital print

All token holders will be able to purchase a signed print of any mint they currently own.

More information on prints can be found [here](https://www.michaelgdevereux.com/cryptocountries-prints).

CryptoCountries: The Unpublished Archives of a Mythical World Traveler

Last night I dreamed of Murano and of paperweights... 

"Murano Fantasy" is an tribute to glassmakers who, since Antiquity, have been producing murrines.
Murrines are assembled into paperweights, with different layouts.
The central cane, when present, is often sophisticated, and the paperweight might be signed by the artist.

As with real murrines, a part of the pleasure is to use a magnifying glass: press 'n' (next) or space to automatically focus on noteworthy canes; use 'p' (previous) to go back to previous cane; 'c' (clear) to reset zoom; and click wherever you wish.

Murano Fantasy

A Map is a score for a new world...
 
Maps is a generative script stored on the blockchain. Each mint generates a unique svg using a seed hash.
 
The initial inspiration for Maps was the idea that graphic notation can create a variety of different outputs for music.
 
This led to using sprites, a form of graphic notation that gives a sense of how things move without being animated, as the layout to explore each world. 
 
Each Map uses variable colors and patterns to generate different environments. By mixing 10 different elements, new biomes are named ( i.e. scorched forest, dune ocean, etc… )
 
These environmental elements are represented by color ( HSL ). different base and accent environments were picked to be mixed and matched freely. 
 
Maybe an NFT can be an instruction for something non-digital, too… The different colors are also matched with pantone chips so that each SVG can be easily printed.
 
The method for generating the pattern is called dithering, which is both inherently as much a digital process ( i.e. bitmapping ) as it is a physical one ( i.e. halftone ). The script uses a modified Floyd–Steinberg dither algorithm to approximate the light between each pixel and create unique patterns.

Art Blocks Presents

Amoeba #6

last even

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CryptoCountries: The Unpublished Archives of a Mythical World Traveler

Michael G Devereux

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