Using single Cyrillic character typography with an inspiration from Soviet era punch cards, technology and mentality to some extent, _Such A Lovely Time_ is part of an ongoing obsession of creating visual complexity from the most basic shapes while retaining a sense of order in appearance. This sense of structure is something that holds true to most of us individuals, communities, nations. However disorganised or frail one may be on the inside one often makes a substantial effort to appear structured, ordered. In other words our orderliness stems from the perception of that very orderliness.

The themes explored in my work are often a bi-product of my echoic memory in which I often pick up on background movie dialogues and tend to remember them by associating a colour and feeling to them. This in turn becomes an artistic direction, drawing inspiration from the sets, colours, location, time period, soundtrack, language and so on. The soundbite and evoked emotions guide the exploration and creation process.
More often than not the line from the movie becomes the title for the piece, as is the case for _Such A Lovely Time_.

_Such A Lovely Time_ has a number of simple traits that when combined create intricate compositions.
- Three different styles (Grid, Punch Card and Mixed) set the foundation.
	- The Grid style is based on a simple grid of elements with varying levels of density.
	- While the Punch Card style is essentially also a grid, it has a different rhythm to it, at times very sparse with isolated clusters, at other times those clusters and elements are connected together almost resembling sheet music. In some instances the Punch Card can be very dense almost to the point of saturation.
	- The Mixed style is a blend of the two aforementioned and introduces a higher degree of variations and somewhat unexpected results.

- There are 16 palettes, each one of them named after a city. The colours are extracted from personal travel photos to those cities before being fine tuned.

- The Cyrillic glyph is the centre piece of the composition, sometimes bold and in the foreground, at times fragmented and sometimes even hidden, as if an invitation to the viewer to look closer and explore the many layered details.

- The other traits that make up the piece may have less depth in their meaning but add to the overall amount of graphical variations.

Each iteration of _Such A Lovely Time_ is a generative attempt at technical aesthetics.

Created by petitsapin (Dominique McKerl Dautheribes).

Such A Lovely Time

Sail-o-bots try to combine but also spare concepts, perceptions and even basic human need based on Maslow's hierarchy. They are the mischief of the sea, have their own tiny boats to sail but they prefer to stand still, and watch the sunset. Until the next day comes, Sail-o-bots wait, they do not eat, they do not sleep, that's why they are on edge from time to time. Do not judge them quickly. Each bot has its own messages if you want to take or they are just shiny stuff you can stare at. Sail-o-bots cannot stay at a same style, that is who they are, they might be called inconsistent, but it has advantages, having multiple disciplines is really important for them, they will never stop trying to discover more. They will always be going back and forward around several versions, do not think that they will stop at one since they discover themselves, which is probably never.

sail-o-bots is based on the original generative project Strange Robots by Che-Yu Wu (https://twitter.com/Majer666666) Source code derived from https://openprocessing.org/sketch/1150492 under CC-BY-SA 3.0 license. Modifications include: custom botGlasses variable added with 3 different cases; custom botLips variable added with 3 different cases; 10 sets of custom colors added; antennas, ear and nose size and geometric shape types updated.

sail-o-bots

Variant Plan (F01Y20) is an exclusive generative art commission for Variant Fund by Jeff Davis. Each work in the series contains a randomized hash string that determines a unique layout and color placement for the plan. Every plan is unique and all logic for the artwork is stored immutably on the Ethereum blockchain.

Variant Plan

Maps for Grief explores the hyper-connected existence, filled with individuals who share common intents, ideals and feelings, but tend to live their sentiments in isolation. Its compositions oppose areas of fluid movement and immobility, revealing the structure of the piece itself: two interacting force fields that dictate the direction, as well as the strength – or absence – of movement.

On the keyboard: Press A to have the lines gently animate. Use the 1/2/3 keys to inspect the fields that make up each iteration.

Maps for grief

THE SOURCE CoDE is a new techno-mystical framework that channels knowledge from source creation to our digital present. The medium of this knowledge is a set of unique 1024 “karma” cards minted in the Genesis phase of THE SOURCE CoDE. The Hash is a unique entity that drives all aspects of a single card.

THE SOURCE CoDE framework is based on 10 primitives, with each primitive representing a dimension of reality. Some cards have additional attributes that further empower the card holder. When you mint a card, an Intent is generated - the most powerful tool for navigating the endless possibilities in life.

Mint with purpose!

Art Blocks Presents

THE SOURCE CoDE #25

Ofir Liberman

More in Art Blocks Presents

Such A Lovely Time

petitsapin

sail-o-bots

sturec

Variant Plan

Jeff Davis

Maps for grief

Louis-André Labadie

Art

Company

Learn