THE SOURCE CoDE is a new techno-mystical framework that channels knowledge from source creation to our digital present. The medium of this knowledge is a set of unique 1024 “karma” cards minted in the Genesis phase of THE SOURCE CoDE. The Hash is a unique entity that drives all aspects of a single card.

THE SOURCE CoDE framework is based on 10 primitives, with each primitive representing a dimension of reality. Some cards have additional attributes that further empower the card holder. When you mint a card, an Intent is generated - the most powerful tool for navigating the endless possibilities in life.

Mint with purpose!

THE SOURCE CoDE

Ieva [iɛvʌ] is an algorithm that creates a shape in a specific sequence from a random point on the grid and smooths out its corners. Overlapping such shapes creates endless possibilities of combinations that will always remain balanced and aesthetically pleasing.

The title of this project is the name of the investigator who made a criminal case against me for making art. This name occupied a big part of my mind while working on this project. And I decided that it should be perpetuated in art.

You can do the "investigation" for Ieva (because she doesn't want to do it). To do so, you have to click on the art.

**Controls:**

- "click" = investigate
- "space" = automatic investigation

Ieva

Structures is an abstract generative art project drawn entirely with dots.

About project development:

*In generative art, I like to experiment and test sometimes improbable things (which was the case for this project).*

*Structures is a very special project that was born from this experimentation, in this case, the merger of two discrete projects I was working on.*

*When I was working on the first version of Structures, even after a long development I was not completely satisfied with the result, and ended up putting the project aside to try to find a way to finish sometime in the future.*

*I then started another, more abstract, project (with various shapes, triangles, circles, grids of rectangles, etc.), that really had nothing obvious in common with Structures. But, ultimately, this project too, alone, was not enough.*

*And then one day I wondered how these projects might inform each other, and worked to make Structures more abstract. I honestly had no expectations of success, but nevertheless worked to merge the codes of the discrete projects just to see what it would yield.*

*I was pleasantly surprised by the result, and then continued to iterate this new hybrid version until finally arriving with what you see here.*

Each variation generated by Structures is drawn using only dots. It is the complex algorithm of the project that determines the position, size, color, etc. of each dot through approximately 1,500,000 to 40,000,000 random decisions based on the hash of the mint and draws approximately 350,000 to 10,000,000 dots based on these random decisions.

In live mode:
- click during the animation = animation pause
- click at the end of the animation = display of the number of dots drawn

Made with ❤️, code and p5js.

Structures

Tropism is the phenomenon in which an organism's growth is influenced by environmental stimuli. Organisms of all shapes, sizes, and colors encounter varying amounts of external forces as they grow. These environmental stimuli are internalized, and the marks they leave end up being the defining characteristics of a life.

Tropism

- Click and drag (dont forget realease) to find new combinations. Go to the center to close the interference. Go to the edges to open it.
Double click change mode (Auto - Tactil )

INTERFERENCES is about reordering the elements, altering the parts that make up the shapes and identifying the possibilities of color ordering.
Here, the variability is found in the subtle, seeking to challenge the sensitive vision of the viewer, generating displacement effects, or simply proposing a minimal visual design.

Interferences is an excuse to return to color theories from the Bauhaus and Latin American cinetics artist, that made up the artistic avant-garde of the 1950s. From there, the project seeks to continue developing on the relative characteristics of color: those situations in which our experience of the color changes according to the context. How to use color? It's not what colors, but how colors are used that define artists.

The instability appears as a game in the work on the form, breaking out the circle as a standard of harmony and perfection. How far can you continue to recognize a shape? It is this instability that suggests movement, like a photograph of a moment in the sequence, waiting to be completed.

What characteristics does the work of art of web3.0 must have? That was one of the questions that motivated this work. There could be several answers, but I think one of them would definitely have to do with the possibility of change: is not a jpg, is not a .mov: it is a piece of software that you can touch and modify, find new possible outputs and play with variability.

Interferences is a project of #purevisibility: there is no message. There is experience.

Art Blocks Presents

THE SOURCE CoDE #52

Ofir Liberman

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