A track. Some vehicles. An endless chase for lovers of loops.

24 Heures

Inspired by the shapes and colors of childhood and the exploration of planets, where translucent vinyl shapes overlay to create new colors to spark the imagination. Using the token code the location of shapes and colors are generated. Watch out for the Entity in their latent spacecraft. Based on an original artwork by Liza Grace "Colorform Multiverse"

Color Magic Planets

This project is an exercise in simplicity, simulating stains of ink made through points and noise. 

Since creating art with code, I’ve wanted to reproduce the physical with the digital. 
Stains On A Canvas emerged from this desire to produce a hand-made canvas painting. 

Stains On A Canvas’s background textures use points or grids, and the algorithm explores the maximum difference between each iteration. The collection is divided into styles, named after popular flowers in my country [Brazil]. Colors are randomly generated to create unique tones paired with the variety of shades and shadows.





-Press from 1 - 9 in your keyboard to adjust the pixelDensity and increase/equalize the resolution quality according to your screen.

-Press "S" to save a .png file in the resolution quality you choose.

Stains on a Canvas

There are many mysterious waves that surround us, from deep space signals to hidden radio stations. 'Unknown Signals' is a reminder of the fascinating world of radio waves that our eyes cannot catch. Click to stop/start the animation. Press the 'b' key to remove the foreground.

Unknown Signals

*the spring begins with the first rainstorm* is my merger of earthly patterning and digital dynamics, seeing both organisms as collaborators in an effort to erase the human hand and glimpse into an environmental portal.

My inspiration comes from falling in the fountains of the Louvre as a child and sneaking past the guards to enter the glass temple dripping and squishing with each step – from Sigmar Polke’s dispersion paintings – from Joseph Beuys and Bas Jan Ader – from Aldous Huxley and John Muir – from the plentiful and the barren – from the joy of discovery and the fear of what could unravel.

I started with the pattern variable, this movement was first created by dragging large paintings through the ocean until my brushstrokes disappeared and the earth becomes the composer. The movement that emerged is akin to light fracturing through water, the bark of trees, or the skin of reptiles. When redacted into visible pixels it harkens to traditional screen-printing and a web 1.0 dream. When the patterns start multiplying, they become portals to elsewhere, while also signifying a system trying to ‘learn’ the movements of the earth. I see the ‘hibernal’ as blizzards, ‘maelstrom’ as dreams of the deep water and the ‘arboretum’ as lush gardens. The palette variable is meant to mirror lavish watercolor washes while the smokey ribboning represents the winds. In totality, I hope is to blur many lines – constructed and broken down, calming and fearsome, aspirational and apocalyptic.


*The Genesis Edition*

The first 48 mints shall receive this special edition collection, which includes:

* A unique print of the minter’s piece, printed on archival Hahnemühle German etching paper, mounted on 16” x 12” (40.6 cm x 30.5 cm) maple board, signed and titled on verso.

* A serpentine rock I collected near 34.744145603, -119.98518572 (including a maple presentation stand).

* A limited edition visual compendium chronicling the conceptual theory of the work, signed and numbered.

Please visit the [project website](https://thespringbegins.io/the-genesis-edition) for more details about the Genesis Edition.

Controls:

p - for a high resolution (6000 x 7200 pixels) printable version
s - to save the image as a png file

Art Blocks Presents

24 Heures #20

Alexis André

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Color Magic Planets

Bård Ionson

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the spring begins with the first rainstorm

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