A track. Some vehicles. An endless chase for lovers of loops.

24 Heures

"Seadragons" is a generative catalogue of imaginary sea creatures from Syngnathidae family. Each seadragon belongs to one of the real Weedy, Leafy or Ribboned species, while the patterns and the small leaf-like appendages are an artistic interpretation. The dragons are rendered in real-time allowing you to watch them slowly drifting in the water or moving your mouse to nudge them slightly.

This project is a continuation of my long term fascination with using code to recreate forms and patterns occurring in nature. By using a range of non-photorealistic rendering techniques I strive to document those explorations as if they were actual sketches, posters or biological illustrations of the encountered specimens. Algorithmic variations of their patterns, sizes, colors, poses, complexity and surrounding seaweed present in each artwork are only a minor drop compared to the diversity observed in natural environments. 

15% of profits will be donated to oceana.org for protecting and restoring the world’s oceans on a global scale. Another 10% will be donated to givewell.org.




Seadragons

_100 PRINT_ is a nonfigurative, abstract generative drawing system based on the principles of visual perspective. Each edition is made up of carefully constructed lines and shapes that fit into a multidimensional world created on the fly, inviting the viewer to let their eyes wander and find pockets of what appear to be deliberately constructed objects in 3D space. _100 PRINT_ is an experimental project that draws inspiration from a wide variety of sources, including cubist and abstract expressionist artworks, printer test sheets, and Escher sketches. It represents a raw display of powerful drawing principles that have governed the construction of many artworks before it.

100 PRINT

pseudomods is a visual study on eurorack modular synthesizers, and other histories of control surfaces. abstract panels open to interpretation, possessed by an outside knob-fiddler.

pseudomods

Staccato practices capturing space with elemental geometry. Positive and negative ground dissolve as the eye reads the rows and columns as if distinguishing sheet music. Rhythm emerges from the space between the shapes that tie them together.

The emergent forms of Staccato result from the perception of the collection of shapes as a whole.  High contrast monochrome rendering maximize this psychological effect as the eye groups similar shapes and patterns into subdivisions. 

The process of Staccato stems from letterpress printmaking experiments with decorative typographic material. The process involves filling the letterpress with decorative borders and shapes, inking by hand, pulling a print, inspecting the result, making a small adjustment and repeating.

Art Blocks Presents

24 Heures #21

Alexis André

More in Art Blocks Presents

Seadragons

Marcin Ignac

100 PRINT

Ben Kovach

pseudomods

erin bee

Staccato

Philip Bell

Art

Company

Learn