A track. Some vehicles. An endless chase for lovers of loops.

24 Heures

Fushi ( Japanese for immortality / eternal life ) is a concentration study to help those who might need help to slow down in their lives, those who get lost in their thoughts, and those who need a focus point to stand up.

No Reality is an invitation to contemplation. 

It acts as a support to our emotional levels and aims to enhance our environment by guiding us into a meditation state. Both contemplation and meditation have proven to have a positive impact on improving mental and physical health.  

Consciousness, Healing arts, and spirituality, Fushi No Reality is a window through surrealities. A procedural immortal healing ritual unlocking our capacity to cure ourselves.  

Each surreality is forged from a real-time organic system running in an infinite and perpetual movement, crafted from chaos and noise-domain explorations. From a computing point of view, there is no distinction between visually random noise and mastered noise. They are both an output of the same algorithm perceived by our brain as a signal. From a soul point of view, the difference is the perception and what we, humans, do qualify as pleasing, perceptible, or intriguing.

Exploration, observation, and modulation are key to this vast pandemonium of chaos. A creative process to re-forge shapes we already observe in our world’s best inspiration: Nature.

This inspiration directed Fushi No reality towards Landscape art/cloth art mixed with vaporware aesthetics, slow movement, and peaceful color palettes.  A light beam travels through each surreality to guide a few voyaging spirits across the landscape. Portrait or landscape,  the surrealities are meant to be displayed in both ways, viewers may look at generative cloth swirling and sci-fi planetary landscapes.  

The more adventurous may move their cursor to the top or bottom to live a faster healing experience.

No one can bring you peace but yourself, but this time, let’s travel together.

フシハ、セイカツノナカデスローダウンスルテダスケガヒツヨウカモシレナイヒト、シコウ二マヨッテシマウヒト、タチアガルタメノフォーカスポイントガヒツヨウナヒトノタメノシュウチュウリョクガクシュウデス。

[Fushi no reality / フシノゲンジツ]ハ、シサクへノショウタイジョウデス。
ワタシタチノカンジョウレベルヲサポートスルヤクワリヲハタシ、メイソウジョウタイヘトミチビクコトデ、ワタシタチノカンキョウヲヨリイイモノ二スルコトヲモクテキトシテイマス。メイソウトジュクコウハドチラモ、シンシンノケンコウゾウシン二イイエイキョウヲアタエルコトガショウメイサレテイマス。

イシキ、ヒーリングアート、スピリチュアリティ、フシギノリアリティハチョウゲンジツヲトウシテノマドデス。フメツノイヤシノギシキハ、ワタシタチジシンノチユノウリョクヲトキハナツタメノテズクリデス。
 
ソレゾレノチョウゲンジツハ、カオストノイズリョウイキノタンキュカラツクラレタ、ムゲンカツエイゾクテキナハタラキデハタラクリアルタイムノユウキテキナシステムカラツクラレテイマス。コンピューティングノカンテンカラハ、シカクテキ二ランダムナノイズトマスタリングサレタノイズノアイダニクベツハナイ。ドチラモ、ワタシタチノノウガシンゴウトシテニンシキスルオナジアルゴリズムノシュツリョクデアル。タマシイノカンテンカラハ、ソノチガイハチカクノチガイデアリ、ワタシタチニンゲンガナニヲモッテ「タノシイ」「チカクデキル」「キョウミヲソソラレル」トハンダンスルカトイウコトデス。

コノコウダイナカオスノパンデモニウム二ハ、タンサク、カンサツ、ソシテモジュレーションガジュウヨウナカギトナリマス。コノセカイサイコウノインスピレーションノナカデ、ワタシタチガスデニカンサツシテルカタチヲサイケイセイスルタメノソウゾウテキナプロセス。シゼン。

コノインスピレーションハ、[Fushi no reality / フシノゲンジツ]ヲ、ジョウキセンノビガク、ユックリトシタハタラキ、オダヤカナシキチョウヲマゼタフウケイガヤクロスアートニムカワセマシタ。コウセンハソレゾレノチョウゲンジツヲトオリヌケ、フウケイヲヨコギルスウジンノコウカイタマシイヲミチビキマス。ポートレートヤフウケイナド、チョウゲンジツハリョウホウノホウホウデテンジサレルコトヲイトシテアリ、カンショウシャハジェネレーティブナヌノノウズマキヤSFテキナワクセイノフウケイヲナガメルコトガデキマス。

ヨリボウケンテキナヒトハ、カーソルノウエカシタカニハタラカシテ、ヨリハヤイイヤシノタイケンヲスルコトモデキマス。
ヘイワヲモタラスノハジブンジシンダケデスガ、コンカイハイッショニタビヲシテミマショウ。

Fushi No Reality - フシノゲンジツ

Six works from the _Placement_ series were on exhibition at the Art Blocks Gallery in Marfa, Texas from May – October, 2022. 

_Placement_ is a series of 500 artworks that are iteratively generated by an algorithm built by the artist. These hard-edge color-fields are visual representations of the underlying code; their color juxtapositions provoke a long look that goes beyond ‘seeing’. The frame assists in this process as it emphasizes concentration akin to the design of a digital display. The mechanisms of production – code and silkscreen – fade away to present artworks of pure color projected onto a screen or laid on top of paper. In this way, the artist relates the allure of vivid, saturated ink to the mesmerizing glow of a digital display. Cooper is engaged with themes such as digital materiality and the phenomenological.

Placement

Pixel Glass

Gen 3, the third and final installment of the Gen-Trilogy series, uses word combinations to create unexpected phrases. The phrases play with meaning, or the idea of it,  while characterizing identities relating to blockchain and NFT culture in a fun and abstract way. Gen 3 continues an emerging trend of parsing the minted token's hash in order to produce a deterministic image or animation. For each Gen 3 minted, 40% of the proceeds are donated to a non-profit organization called EveryShelter whose mission is to repurpose waste products into useful materials designed to help people in need. More information can be found at https://everyshelter.org/

Art Blocks Presents

24 Heures #110

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