Ieva [iɛvʌ] is an algorithm that creates a shape in a specific sequence from a random point on the grid and smooths out its corners. Overlapping such shapes creates endless possibilities of combinations that will always remain balanced and aesthetically pleasing.

The title of this project is the name of the investigator who made a criminal case against me for making art. This name occupied a big part of my mind while working on this project. And I decided that it should be perpetuated in art.

You can do the "investigation" for Ieva (because she doesn't want to do it). To do so, you have to click on the art.

**Controls:**

- "click" = investigate
- "space" = automatic investigation

Ieva

- Click and drag (dont forget realease) to find new combinations. Go to the center to close the interference. Go to the edges to open it.
Double click change mode (Auto - Tactil )

INTERFERENCES is about reordering the elements, altering the parts that make up the shapes and identifying the possibilities of color ordering.
Here, the variability is found in the subtle, seeking to challenge the sensitive vision of the viewer, generating displacement effects, or simply proposing a minimal visual design.

Interferences is an excuse to return to color theories from the Bauhaus and Latin American cinetics artist, that made up the artistic avant-garde of the 1950s. From there, the project seeks to continue developing on the relative characteristics of color: those situations in which our experience of the color changes according to the context. How to use color? It's not what colors, but how colors are used that define artists.

The instability appears as a game in the work on the form, breaking out the circle as a standard of harmony and perfection. How far can you continue to recognize a shape? It is this instability that suggests movement, like a photograph of a moment in the sequence, waiting to be completed.

What characteristics does the work of art of web3.0 must have? That was one of the questions that motivated this work. There could be several answers, but I think one of them would definitely have to do with the possibility of change: is not a jpg, is not a .mov: it is a piece of software that you can touch and modify, find new possible outputs and play with variability.

Interferences is a project of #purevisibility: there is no message. There is experience.

Interferences

In the right hand, a pen can effortlessly reveal the most characteristic features of a person, inside and out. Following the twist and turn of the line, echoes of practice and repetition, the path becomes a walk through the recesses of a subconscious human mind. Total Strangers pays tribute to this time-honoured flight of the human creativity, generating a rogue’s gallery of faces from a continuous fluid line and a virtual pencil case of select drawing tools. We invite you to follow the line as it goes for a walk. Watch it unfold and give life a cast of unique characters, reflections of those around us.

[P] - Pause
[B] - Toggle transparent background
[F] - Performance-agnostic desired frame rate. Switch between 30 (default) and 60.

Total Strangers

The algorithm that was built for Getijde (Dutch for 'Tide') was meticulously designed. It's the result of spending most of the year cooped up inside four walls with a strong desire to escape. Countless hours were spent perfecting details to guarantee that each mint will be of high enough quality to be exhibited on screens and in print.

Getijde

Paths is an animated journey across various subterranean and aboveground environments. To fully experience the project, you need to see it in high resolution with a capable GPU. Make sure that your browser uses your dedicated graphics card if any, and that you get a good frame rate. Control keys: 1-4 (change speed), 9 (fill aspect ratio), 0 (original aspect ratio), space-bar (play/pause)

Art Blocks Presents

Paths #4

Darien Brito

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Interferences

Juan Pedro Vallejo

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