Divisions creates playful abstract compositions that can go all the way up to eleven.

Divisions

CELLS was initially inspired by the very particular shape of neurons. I then gave free rein to my creativity and explored many of the aspects of these shapes (size, branches, form, colors, style, position, addition of elements, effects, and other surprises) to allow CELLS to generate a large number of very different variations. All parameters are set based on the unique transaction hash.

Cells

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░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
  ___ _  _____ _   _  ___  __  __  ___  ___ ___ _  _ ___ 
 / __| |/ / __| | | |/ _ \|  \/  |/ _ \| _ \ _ \ || / __|
 \__ \ ' <| _|| |_| | (_) | |\/| | (_) |   /  _/ __ \__ \
 |___/_|\_\___|\___/ \___/|_|  |_|\___/|_|_\_| |_||_|___/

░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░

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A skeuomorph is a derivative object that retains ornamental design cues from structures that were necessary in the original. They are used widely in architecture, product design, and perhaps most familiarly in user interfaces. Think: desktop icons like trash cans or notepads. SKEUOMORPHS is a meditation on this digital tradition. 

SKEUOMORPHS picks up where RASTER left off as an another exploration of the materiality of pixels and rasterized imagery. Here the study of pixels narrows in on the shallow depth of on-screen interfaces and the play of low-res figure-ground effects. Moments of skeuomorphism where the 2-dimensional plane of the screen becomes slightly 3-dimensional through beveling or drop-shadows are extracted and used as abstract painterly details. These elements that are typically used to make computation and interfaces more familiar become unfamiliar on the canvas, suggesting the possibility of an aesthetic between abstraction and realism.

SKEUOMORPHS employs recurring themes and techniques from my art practice: limited color palettes, low-res chunky pixels, dithering, and physics simulation. It uses a specific kind of dithering called R-sequence dither developed by Martin Roberts. Like traditional Bayer matrix-based dithering, this technique produces a patterned image akin to retro video games and early computer screens. In this project, the R-dither pattern results in a woven textile-like texture, which recalls the long relationship between computing and weaving. The canvas negotiates two scales simultaneously: that of the dithered pixel (rendered at 1/1024th of the canvas height) and the simulated particle that acts as a brush stroke (rendered at 1/256th of the canvas height). The two resolutions work together to produce a cohesive texture that is neither pretending to be a retrograde screen nor an analog material but something in between. Similar to RASTER, the goal is to investigate new avenues for digital aesthetics that rely on a combination of historical techniques and innovative practices.

Use mouse or touch controls to interact.
Press 's' to grab a still frame.

Collectors will be eligible to receive a signed archival giclée print of their mint.

SKEUOMORPHS

Abstract impressions of alien landscapes, aerial photographs and geometric structures sequence into being, collapsing onto itself.

Press 'h' to  enable full internal resolution (intense)
Press space bar to relaunch animation
Press 'e' to enable endless displacement mode

Best viewed with Chrome and a modern desktop. Reduced animation on Firefox.

10% of the primary sale net proceeds will be split with a charity focusing on environment and a local art nonprofit

Collapsed Sequence

Paths is an animated journey across various subterranean and aboveground environments. To fully experience the project, you need to see it in high resolution with a capable GPU. Make sure that your browser uses your dedicated graphics card if any, and that you get a good frame rate. Control keys: 1-4 (change speed), 9 (fill aspect ratio), 0 (original aspect ratio), space-bar (play/pause)

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