**Attention! Extremely Experimental Project!**

This project is the quintessential generative art. Each instance of this project is an infinite deterministic ratio and resolution agnostic art generator. _Every click = new art_. The main format is a 3x4 poster. But by pressing "f," you can stretch the art to the whole screen (any screen). All elements of this art are rectangles, and the main number of this project is 4. You can use the generated images commercially (read the license).
  
**Controls:**

- "f" = fullscreen
- "s" = save art
 - "t" = 30-sec interval infinite slideshow
- "u" = 3-sec interval slideshow + save (а convenient way to make images for the gallery)
- "1 - 9" = change pixel density.   (Changing the ratio and pixel density resets the art counter to 0).

444(4)

“Phototaxis” is a simulated environment populated by simple machines. After Valentino Braitenberg’s 1984 book “Vehicles,” there are four kinds of machines with different wiring and behaviors: Explorers, Aggressors, Lovers, and Cowards. Each line charts the history of one machine’s movement. The core of this code was the foundation for my MicroImage series of works dating back to 2001. I’ve worked on it in fits and starts since then, and in 2021 it was further developed for Art Blocks. Press ‘P’ to play/pause, ‘B’ for the big bang, ‘1’–’5’ to change the magnification, and ‘L’ to reveal the lights’ locations.

Phototaxis

In Zen, ensō is a symbol that represents elegance and enlightenment. It is typically painted by hand in an uninhibited way, allowing for unexpected and beautiful results. Inspired by sumi-e (ink wash painting), this project mimics the practice of painting an ensō in ink by utilizing p5.js. Each generated image uses values from a unique transaction hash to determine paper, brush, ink, the quantity of ink held by each bristle, how quickly the ink flows, and more—all with the goal of creating a simple yet serendipitous painting.

Ensō

### Good job, Computer. Do that some more.

To what degree can we teach a computer to make a painting? One that resembles creation from the imperfect hand of a human. Here, the computer attempts to hide itself from the viewer in the details, such as inconsistent borders or uneven layers of paint. Intentional flaws that a human might make unintentionally.
Good, Computer is an exploration of not only how small cumulative inaccuracies create complete images, but also the forms and harmonies that those images evoke.

Consider the following:

***A set of 4 colors is to be considered -- singly as "actors," together as "cast." They are to be presented in 4 different arrangements -- as "performances."***
***Although they remain unchanged in hue and light, in "character", and appear in an unchanging outer frame, the "stage", they are to produce 4 different "scenes" or "plays," each to be so different that one and the same set of colors will be seen as 4 different sets, presented by 4 different casts.***
***And all this can be achieved mainly through changes in quantity which result in shifts of dominance, of recurrence, and consequently of placement.***
***The essential question: which group of colors is ready to lose its identity as a cast?*** 
***-- Josef Albers***

We can answer this question simply by asking ourselves why we're drawn to some arrangements more than others. In doing so, we consider not just tone, but also quantity, intensity and weight in order to form new relationships between the colours. And as such the viewer gives each image their own subjective personality.

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Press `s` to save image.

Good, Computer

Paths is an animated journey across various subterranean and aboveground environments. To fully experience the project, you need to see it in high resolution with a capable GPU. Make sure that your browser uses your dedicated graphics card if any, and that you get a good frame rate. Control keys: 1-4 (change speed), 9 (fill aspect ratio), 0 (original aspect ratio), space-bar (play/pause)

Art Blocks Presents

Paths #78

Darien Brito

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444(4)

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Casey REAS

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