As the first on chain generative planets, I present my Galaxiss project. Each planet uses several layers of complex noises to generate nearly infinite variations of terrain, shapes, and biomes. Check out the lost airplane that has been signaled flying around and if you're lucky you might even catch another surprise chopper! Collect planets and build the Galaxiss of your dream!

p/h: attach to airplane/chopper - n: toggle night mode (if available) - digit keys left to right on the keyboard (1, 2, 3, [...], 9, 0): change resolution (1 being the minimum and 0 the maximum) - space bar: pause/unpause the world - pinch to zoom (on smartphones) - triple fingers touch: switch between vehicles (on smartphones)

Galaxiss

A love letter to the beautiful hash behind the art. ⭑･ﾟﾟ･*:༅｡.｡༅:*ﾟ:*:✼:*ﾟ:༅｡.｡༅:*･ﾟﾟ･⭑ (づ￣ ³￣)づ *:･ﾟ✧ 0x... ✧ﾟ･: *

Dear Hash,

*the spring begins with the first rainstorm* is my merger of earthly patterning and digital dynamics, seeing both organisms as collaborators in an effort to erase the human hand and glimpse into an environmental portal.

My inspiration comes from falling in the fountains of the Louvre as a child and sneaking past the guards to enter the glass temple dripping and squishing with each step – from Sigmar Polke’s dispersion paintings – from Joseph Beuys and Bas Jan Ader – from Aldous Huxley and John Muir – from the plentiful and the barren – from the joy of discovery and the fear of what could unravel.

I started with the pattern variable, this movement was first created by dragging large paintings through the ocean until my brushstrokes disappeared and the earth becomes the composer. The movement that emerged is akin to light fracturing through water, the bark of trees, or the skin of reptiles. When redacted into visible pixels it harkens to traditional screen-printing and a web 1.0 dream. When the patterns start multiplying, they become portals to elsewhere, while also signifying a system trying to ‘learn’ the movements of the earth. I see the ‘hibernal’ as blizzards, ‘maelstrom’ as dreams of the deep water and the ‘arboretum’ as lush gardens. The palette variable is meant to mirror lavish watercolor washes while the smokey ribboning represents the winds. In totality, I hope is to blur many lines – constructed and broken down, calming and fearsome, aspirational and apocalyptic.


*The Genesis Edition*

The first 48 mints shall receive this special edition collection, which includes:

* A unique print of the minter’s piece, printed on archival Hahnemühle German etching paper, mounted on 16” x 12” (40.6 cm x 30.5 cm) maple board, signed and titled on verso.

* A serpentine rock I collected near 34.744145603, -119.98518572 (including a maple presentation stand).

* A limited edition visual compendium chronicling the conceptual theory of the work, signed and numbered.

Please visit the [project website](https://thespringbegins.io/the-genesis-edition) for more details about the Genesis Edition.

Controls:

p - for a high resolution (6000 x 7200 pixels) printable version
s - to save the image as a png file

the spring begins with the first rainstorm

"Rotae" explores the vast array of beautiful and unexpected shapes that can appear from the simple process of letting wheels rotate on (many more) wheels. Taking a step beyond what the physical toy could do that many of us have played with (long ago) and stringing together anywhere from three to eight wheels. The algorithm starts by determining the number of wheels and what "m-fold" symmetry to achieve. From there the radii and frequencies are calculated per wheel in such a way as to ensure that the output won't turn into chaos, but an unpredictable, yet fully symmetric path that closes on itself. Giving a seemingly endless variety in the paths that get drawn. After a few seconds you can watch how the line gets drawn, possibly revealing unexpected shapes hidden within.

Rotae

Paths is an animated journey across various subterranean and aboveground environments. To fully experience the project, you need to see it in high resolution with a capable GPU. Make sure that your browser uses your dedicated graphics card if any, and that you get a good frame rate. Control keys: 1-4 (change speed), 9 (fill aspect ratio), 0 (original aspect ratio), space-bar (play/pause)

Art Blocks Presents

Paths #131

Darien Brito

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