CELLS was initially inspired by the very particular shape of neurons. I then gave free rein to my creativity and explored many of the aspects of these shapes (size, branches, form, colors, style, position, addition of elements, effects, and other surprises) to allow CELLS to generate a large number of very different variations. All parameters are set based on the unique transaction hash.

Cells

Perpetua is a collection of generative weavings.
 
Fabric emerges from a series of binary choices as horizontal threads go over or under vertical threads. These decisions are interconnected, systematic, and give rise to an infinite variety of patterns, making weaving an ancient generative art. In essence, weaving is a practice of meticulous matrix multiplication calculated in threads. 

We construct each Perpetua image, just like many weavers do, as the product of three binary matrices (the “treadling”, “tie-up”, and “threading”). This kind of design schematic is called a weaving draft and it allows us to converse with traditional weaving patterns and symbols while also extending into alien weavings that would be physically impossible to produce.

Perpetua

Darwin’s Orchid wasn’t discovered by Darwin, but he correctly hypothesized that its long blooms, up to a foot and a half tall, coevolved with a moth with a very long tongue—just long enough to extract its nectar. This flower embodies the great variety of and fascination with the orchid family. Orchids come in all shapes, sizes, colors, textures and scents—perhaps this is why they’ve entranced cultures dating back well over five millennia, becoming symbols of virility, beauty, peace and prosperity in the process. Named “Cattleya” after my first rare orchid, this work is my Ode to Orchids—a mystical flower that brings me endless delight.

Read more about my [inspiration & process↗](https://bensnell.medium.com/7c943673d54f)

*Notes:*
*— This project is intended to be run on modern devices, operating systems and browsers. Older ones may yield undesired or undefined behaviors.*
*— This script includes a modified version of [glsl-fast-gaussian-blur](https://github.com/Jam3/glsl-fast-gaussian-blur), licensed under the MIT License (MIT) Copyright (c) 2015 Jam3.*

Cattleya

**SCRIBBLINES** are a tribute to countless drawings that are being created every day during monotonous meetings and are forever lost in trash.

Almost everybody has experienced doodling (or scribbling) at some point in our lives to keep our brains active. The mental state of doodling is between awareness and daydreaming and is known to often inspire creative ideas. Studies have shown that this idle scribbling actually plays a significant part in helping a person concentrate and focus. 

There are many types of idle scribbles - *real world objects (e.g. houses, hearts), people, faces, squiggles, boxes and cubes, ladders and stairs, spider webs, triangles, swirls*, among others. "Scribblines" has always been my favorite idle drawing.  At the core of each piece is a pivot line, created by a random algorithm. This pivot line defines the shape of the entire art piece. Every additional line traces around the pivot line. Computer generated lines allow for perfecting what is never possible in the “pen and paper world” and thus make this, somewhat obsessive, exercise compelling to the perfectionist’s eye. All these become the basics for the Scribblines features.

**Precision**. Even with great effort it is hard to follow the outlines precisely. In scribblines, the lines precision varies from inaccurate (to simulate hand shaking micro movements) to robotically perfect precision.
**Determination**. In a real world environment it is unlikely to find enough time or perseverance to fill in the whole paper surface and finish these drawings. Due to this I chose most of the generated Scribblines to fill the whole screen. However some pieces are set to be finished as a 'bulk' shapes and not fill in the whole piece.
**Paper**. The backgrounds imitate typical types of paper in lighter or darker colour. There are few special 'sticky note' papers in the algorithm as well.
**Pen**. The most variability is produced by opening all possible pen options. Pen thickness can vary from "Rollerball - Ultra Fine" to "Marker - Extra Bold". The most variability is provided by variable line widths in one piece. Random line feature chooses from several line width possibilities for each single line. Thickening or thinning line features creates beautiful shapes with a fade-in or fade-out effect. A similar effect is achieved also by varying line color in some of the pieces.

Scribblines

Paths is an animated journey across various subterranean and aboveground environments. To fully experience the project, you need to see it in high resolution with a capable GPU. Make sure that your browser uses your dedicated graphics card if any, and that you get a good frame rate. Control keys: 1-4 (change speed), 9 (fill aspect ratio), 0 (original aspect ratio), space-bar (play/pause)

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Paths #160

Darien Brito

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