A collaborative project that transitions the visual aesthetic of a Matt Bilfield peg piece to the generative art world. “Pixels” from the physical world take on new life as the limitations of reality are removed and they are free to assemble and morph without the rigidity or permanence of wood, paint and glue. Round and square variants incorporate multiple color palettes into four unique styles, each with their own distinct attributes. Additional variety in dimensions, depth, color placement, animation, and light modes ensure no two are alike. Make sure to explore the intricacies of each piece by using the mouse to see all angles. Keyboard shortcuts: a: toggle animation, r: reset camera position, s: save screenshot.

Transitions

The Wrapture is a generative edition with unique properties. Technically it is capped at 666 editions, however holders of The Eternal Pump have the opportunity to limit the edition to 50 algorithmic editions if they can cooperate.

The rules are fairly simple: as long as no one trades, sells, or lists their edition for sale in the next year, no additional editions will be made available for minting. However, if one collector breaks the rules, the remainder of the 666 editions will be opened up to the public for minting. If no one breaks the rules for one year, the edition will be capped and collectors will be free to “move” the art with no repercussions.

Collectors will be faced with an interesting dilemma - should be fun to watch. 

Made by Dmitri Cherniak with Javascript and GLSL.

The Wrapture

“Phototaxis” is a simulated environment populated by simple machines. After Valentino Braitenberg’s 1984 book “Vehicles,” there are four kinds of machines with different wiring and behaviors: Explorers, Aggressors, Lovers, and Cowards. Each line charts the history of one machine’s movement. The core of this code was the foundation for my MicroImage series of works dating back to 2001. I’ve worked on it in fits and starts since then, and in 2021 it was further developed for Art Blocks. Press ‘P’ to play/pause, ‘B’ for the big bang, ‘1’–’5’ to change the magnification, and ‘L’ to reveal the lights’ locations.

Phototaxis

Sail-o-bots try to combine but also spare concepts, perceptions and even basic human need based on Maslow's hierarchy. They are the mischief of the sea, have their own tiny boats to sail but they prefer to stand still, and watch the sunset. Until the next day comes, Sail-o-bots wait, they do not eat, they do not sleep, that's why they are on edge from time to time. Do not judge them quickly. Each bot has its own messages if you want to take or they are just shiny stuff you can stare at. Sail-o-bots cannot stay at a same style, that is who they are, they might be called inconsistent, but it has advantages, having multiple disciplines is really important for them, they will never stop trying to discover more. They will always be going back and forward around several versions, do not think that they will stop at one since they discover themselves, which is probably never.

sail-o-bots is based on the original generative project Strange Robots by Che-Yu Wu (https://twitter.com/Majer666666) Source code derived from https://openprocessing.org/sketch/1150492 under CC-BY-SA 3.0 license. Modifications include: custom botGlasses variable added with 3 different cases; custom botLips variable added with 3 different cases; 10 sets of custom colors added; antennas, ear and nose size and geometric shape types updated.

sail-o-bots

Paths is an animated journey across various subterranean and aboveground environments. To fully experience the project, you need to see it in high resolution with a capable GPU. Make sure that your browser uses your dedicated graphics card if any, and that you get a good frame rate. Control keys: 1-4 (change speed), 9 (fill aspect ratio), 0 (original aspect ratio), space-bar (play/pause)

Art Blocks Presents

Paths #169

Darien Brito

More in Art Blocks Presents

Transitions

Jason Ting x Matt Bilfield

The Wrapture

Dmitri Cherniak

Phototaxis

Casey REAS

sail-o-bots

sturec

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Company

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