“mono no aware” is an exploration of change at the borders between existence and emptiness. Shapes and colors appear, twisting and fading gradually into new forms. The evolution of the system creates unpredictable and surprising emergent patterns, as deviations from neat symmetry quickly evolve into chaos. The animation is a cellular automaton running with no pre-defined end — but some patterns don’t have what it takes to survive indefinitely. That’s okay; not everything lasts forever (but the pieces will restart in this case).

[Click] to restart. The Level of Detail (LOD) on each animation can be adjusted using [Left Arrow] for less, or [Right Arrow] for more, to allow a customized visual experience and achieve the desired framerate for various devices. Note that while different LODs all follow the same animation rules, they may exhibit slightly different behaviors from each other due to size-dependent resonance — much as the same guitar string plays different notes at different lengths. Each token contains a family of several closely-related animations to choose from.

mono no aware

- Click and drag (dont forget realease) to find new combinations. Go to the center to close the interference. Go to the edges to open it.
Double click change mode (Auto - Tactil )

INTERFERENCES is about reordering the elements, altering the parts that make up the shapes and identifying the possibilities of color ordering.
Here, the variability is found in the subtle, seeking to challenge the sensitive vision of the viewer, generating displacement effects, or simply proposing a minimal visual design.

Interferences is an excuse to return to color theories from the Bauhaus and Latin American cinetics artist, that made up the artistic avant-garde of the 1950s. From there, the project seeks to continue developing on the relative characteristics of color: those situations in which our experience of the color changes according to the context. How to use color? It's not what colors, but how colors are used that define artists.

The instability appears as a game in the work on the form, breaking out the circle as a standard of harmony and perfection. How far can you continue to recognize a shape? It is this instability that suggests movement, like a photograph of a moment in the sequence, waiting to be completed.

What characteristics does the work of art of web3.0 must have? That was one of the questions that motivated this work. There could be several answers, but I think one of them would definitely have to do with the possibility of change: is not a jpg, is not a .mov: it is a piece of software that you can touch and modify, find new possible outputs and play with variability.

Interferences is a project of #purevisibility: there is no message. There is experience.

Interferences

In this optical parade, motion is created from the harmonious expansion and contraction of colorful bars. Click to pause. *Photosensitive seizure warning: These artworks contain flashing colors and moving patterns. Dutch auction starting at 2 Eth and proceeding through the following tiers every 5 minutes until a resting price of .5 Eth is reached: 2 -> 1.5 -> 1  -> .5

Parade

Good Vibrations is a kind of philosophy from our culture. It's not just a graphic, or melody. It mentions our journey through all of our lives. Inspired by Minimalism and some works of Ligeti György Sándor and Steve Reich, Good Vibrations creates unique geometries by each unique transaction hash. "Everything in Life is Vibration" Albert Einstein's states. The universal law of nature states that everything has its vibration, and all vibrations will make their voice audible or inaudible. It’s all of our events in the totality of our life, from every dimension—and we cannot determine if they are good or bad, dark, or light.

Good Vibrations

Paths is an animated journey across various subterranean and aboveground environments. To fully experience the project, you need to see it in high resolution with a capable GPU. Make sure that your browser uses your dedicated graphics card if any, and that you get a good frame rate. Control keys: 1-4 (change speed), 9 (fill aspect ratio), 0 (original aspect ratio), space-bar (play/pause)

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Paths #323

Darien Brito

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