When does a work stop being the representation of our world and become art?
Can we appreciate a work of art without measuring it with our space-time parameters?
In Time Atlas 🌐 the link with our Earth shaped over millennia through the urbanization process is explicit.
Time Atlas 🌐 uses geo-referenced city data intensively and displays it randomly in geographic areas, showing the current time of each city, whether it is currently exposed to the sun, at night or at dusk by changing the reference color palette . There are over 200 cities collected in its monumental internal archive, each with its own latitude and longitude values, UTC and DST time, number of inhabitants.
Each instance shows a square of our land, the cities arrange you in a grid that respects the distances in proportion. The background rotates to the current value of seconds which is the same all over the world. It is potentially composed of 8 geometric elements that can be present with different probabilities.
City clocks can be of 4 different shapes; the length of the pendulum that rotates with the time of the seconds is composed of 5 elements that combine randomly but the length of the pendulum corresponds to the number of inhabitants of that city.
The elements of the composition can be turned off and on again thanks to these keys:
[c] toggle cities
[w] toggle watches
[b] toggle background
Finally, there is the Written Circles variation. It takes up a past work of mine with the same title and in my initial idea it had to be the only aspect of Time Atlas 🌐. The salient feature of the Written Circles display is that it does not have a rotating background but, for each city, the crown of minutes is proportional to the number of inhabitants, therefore interesting moiré effects are obtained in superimposition. 

Time Atlas 🌐

We were succeeding at creating a reflect of the old home place in our new land. We hoped we had not re-created our mistakes.

Utopia

Tentura - fundamental device of time and being.

The essence of the Tentura's work is that it breaks the connection between the body and soul of every living being under its influence.
The subject becomes bound to a global variable, which is calculated and controlled by the Tentura itself.
This is the work of Tentura, with the amendment that the object of its control is reality.

Click/tap to play/pause animation

Tentura

Portal

*Your Story* is a book like no other.

It's the story you always wanted to read,
the story you always wanted to create.
Any story you want.
*Your Story* is your imagination projected within the pages, 
to tell a story today, 
and another tomorrow.

---

### The idea:

I was playing with a dot on a canvas, when I recognized the first symbol.
In the end, writing is not different from drawing.
So I generated another. And another.
That's how I realized that I had discovered a new language. As a writer, I knew what I had to do:
let this language tell the stories it wants.

Characters in modern alphabets are symbols that, over thousands of years, we aligned on in order to comunicate in written form.
Most people can tell which character represents what in the alphabet they're most familiar with.
There is no room for imagination anymore in the characters themselves. It's all up to the combination of them.
So we form words, sentences, chapters, books.

But imagine now a language that no one understands.
Every interpretation of it is valid: there is no wrong answer. 
Anyone reading it is perceiving a different story, creating a different story.
It's *your* own choice.
You can decide to change the story at every reading. Or keep a piece of it consistent. Collaborate with others to create a new story.

*Your Story* is giving back full imagination to *you*.

---

### How it works:

I wanted *Your Story* to look like a book, and all pieces of the algorithm follow this aesthetic direction.
The aspect ratio is set to √2:1, as most of the paper sizes available worldwide (ISO 216, ISO 217 and ISO 269).
Two set tokens (first and last) are the cover and the blurb. 
The remaining tokens form the interior, using token ID to determine whether the page is left or right and the respective margins.
The hash is used to determine the aesthetics of the page: the character style, the type of page (chapter header, illustration, normal text), the presence of notes, and highlights.
All character styles have clear differences between them, and occasionally they are all mixed together.
*Your Story* is not meant to be a single alphabet, but rather an exploration of the imagination. Different character styles may evoke different thoughts.

Art Blocks Presents

Time Atlas 🌐 #48

Paolo Tonon

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