When does a work stop being the representation of our world and become art?
Can we appreciate a work of art without measuring it with our space-time parameters?
In Time Atlas 🌐 the link with our Earth shaped over millennia through the urbanization process is explicit.
Time Atlas 🌐 uses geo-referenced city data intensively and displays it randomly in geographic areas, showing the current time of each city, whether it is currently exposed to the sun, at night or at dusk by changing the reference color palette . There are over 200 cities collected in its monumental internal archive, each with its own latitude and longitude values, UTC and DST time, number of inhabitants.
Each instance shows a square of our land, the cities arrange you in a grid that respects the distances in proportion. The background rotates to the current value of seconds which is the same all over the world. It is potentially composed of 8 geometric elements that can be present with different probabilities.
City clocks can be of 4 different shapes; the length of the pendulum that rotates with the time of the seconds is composed of 5 elements that combine randomly but the length of the pendulum corresponds to the number of inhabitants of that city.
The elements of the composition can be turned off and on again thanks to these keys:
[c] toggle cities
[w] toggle watches
[b] toggle background
Finally, there is the Written Circles variation. It takes up a past work of mine with the same title and in my initial idea it had to be the only aspect of Time Atlas 🌐. The salient feature of the Written Circles display is that it does not have a rotating background but, for each city, the crown of minutes is proportional to the number of inhabitants, therefore interesting moiré effects are obtained in superimposition. 

Time Atlas 🌐

Prismatic explores color, refraction, and interaction. Every invocation is presented as a still image, but responds to keystrokes with transformations. Start with the arrow keys. Please note: This project is not presented with any features or traits. While features were used in the algorithm in order to introduce variation, each invocation of Prismatic is intended to be experienced as a piece of a whole. The project itself is the prism, each mint is a moment captured as we pass through it.

Prismatic

A study in composition using simple shapes and layout rules. When repetitive patterns fail, and the symmetry isn't quite right, the images are strangely evocative. Somewhere between art deco, pop art, and sci-fi.

Eccentrics

Digital 3D light sculpture made of a sphere in a cube. Using noise algorithms, the sphere gets displaced to reveal it's colorful glowing core and illuminates it's environment, creating an endless organic and soothing real-time animation. The transaction hash value is used to determine the scale and octave of the noise, the color palette and the amount of displacement. Created with threejs and GLSL shaders. A WebXR viewer will be available to see the artwork in 3D on desktop, mobile, AR and VR and take high res screenshots. This artwork will be released via Dutch Auction, with the price starting at 1.5Ξ dropping in 0.1Ξ increments every 5 minutes until 0.1Ξ.

Lava Glow

Inspired by Max Tegmark's book Life 3.0, we envisioned what it is going to look like when a general AI starts a media company for the first time. An AI able to create and stream unique content to every human watching. 

Soon though, we realized that there was something else going on.

As the work progressed it became clear that Supermental is a way to question and express much of the friction that we see in NFTs and Web3. Especially around mental health.

While we are firm believers in this new world we do have questions. And we do see red flags.

We often complain that some Web2 companies are causing depression and online addiction. And they are. But while the data and the assets might be free in Web3, are we better off when it comes to our mental health?

In the land of NFTs our online identity now consumes. Not only time, but money and assets. The mimetic status games are no longer confined to likes and followers. Now we deal in tangible value. This expansion of the mimetic scoreboard does not make it easier to live a balanced life. The benefit of being online has just increased dramatically for a lot of people. But it comes at a cost.

How do we ensure that we don’t recreate our mistakes of the past? How do we make sure that online addiction does not become worse? How do we make sure that our mental health is not sacrificed once again.

If we really do own the platforms, the assets, and the memes, it should be in our best interest to create an online environment where proactive mental health is the default UX. 

With Supermental we hope to draw attention to mental health issues in the Web3 and NFT space.

Supermental is made by a duo. My partner wants to stay anon.

Take care,
Jarl Rosenlykke

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Controls

- Click on the animation to change your mental state

- Press space to pause and take a deep breath

Art Blocks Presents

Time Atlas 🌐 #408

Paolo Tonon

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