Don't fight it. Just respect it. Made by Dmitri Cherniak with Javascript and GLSL.

The Eternal Pump

Rapture is a series exploring magical seals overflowing their boundaries, gradually dissolving into the surroundings. It is imagined as abstract iconography for a fictional mystic religion. Rapture is the conclusion of a system I have been working with and perfecting over several years and it is the first time that it is presented completely autonomous. The series consists of computationally heavy art pieces, with calculations happening while the seal shake to contain its powers. 25% of the proceeds from this project will go to the preservation of the Ecuadorian rainforest Bigai through Randers Rainforest Wildlife Foundation.

Rapture

Primitive shapes generate complex and chaotic snapshots of a larger form, still images with a sense of rapid motion, going through repetitive sequencing of parametrized mathematical functions, rotations and placement of objects. Augmented Sequence is a project by Joonas Toivonen, building upon work on audiovisual installations and electronic music performances. The parameters for sequence attributes, shapes, lighting, materials and colors are driven by the hash of the minting transaction, producing unique and surprising results. 


Augmented Sequence

### Good job, Computer. Do that some more.

To what degree can we teach a computer to make a painting? One that resembles creation from the imperfect hand of a human. Here, the computer attempts to hide itself from the viewer in the details, such as inconsistent borders or uneven layers of paint. Intentional flaws that a human might make unintentionally.
Good, Computer is an exploration of not only how small cumulative inaccuracies create complete images, but also the forms and harmonies that those images evoke.

Consider the following:

***A set of 4 colors is to be considered -- singly as "actors," together as "cast." They are to be presented in 4 different arrangements -- as "performances."***
***Although they remain unchanged in hue and light, in "character", and appear in an unchanging outer frame, the "stage", they are to produce 4 different "scenes" or "plays," each to be so different that one and the same set of colors will be seen as 4 different sets, presented by 4 different casts.***
***And all this can be achieved mainly through changes in quantity which result in shifts of dominance, of recurrence, and consequently of placement.***
***The essential question: which group of colors is ready to lose its identity as a cast?*** 
***-- Josef Albers***

We can answer this question simply by asking ourselves why we're drawn to some arrangements more than others. In doing so, we consider not just tone, but also quantity, intensity and weight in order to form new relationships between the colours. And as such the viewer gives each image their own subjective personality.

---

Press `s` to save image.

Good, Computer

"Foliage" is a moment of pause. The project is born from the futile attempt to catch a breath of wind, the one that no one sees but everyone notices when the leaves hang trembling. Inspired by long days near the Rio de la Plata studying the wind, this series of 250 foliage is an exploration of how angles and colors can generate the illusion of movement and harmony. "Foliage" is inspired on wind data visualizations where the use of angles and vectors speak of a trajectory. Winds, like data, travel through our world leaving a trace;  this time hosted immutably on the Ethereum Blockchain.

Art Blocks Presents

The Eternal Pump #28

Dmitri Cherniak

More in Art Blocks Presents

Rapture

Thomas Lin Pedersen

Augmented Sequence

toiminto

Good, Computer

Dean Blacc

Foliage

Falko

Art

Company

Learn