"Attraction" is a system that draws single pixels, one by one, according to a set of rules inspired by the 'Chaos Game'.
Additionally, trigonometric functions may be used to displace pixels, resulting in wave patterns.

All unique properties of each artwork are defined by the token's hash. This hash will set all the parameters: the color palette, the positioning of objects and the rules by which pixels are drawn.

By the nature of this system, several well known patterns from computing and math may appear in the artworks.

Attraction

Revisiting one of my first algorithms on the occasion of the Tribute to Herbert W. Franke. All artist proceeds from minting will be directed to *art meet science – Foundation Herbert W. Franke* to support the preservation of Herbert's legacy with ZKM Karlsruhe and technology education through RÜTGERS Foundation.

Rectangles (for Herbert)

Disobedience to the rule, precarious balance of eccentric forms, crystallization of a fertile tension between virtual and material reality. 
Here: none of that, whatever it means. 

_D-D-Dots_ is an attempt to abandon all intellectualization and to learn to play again. As Schiller argued, "Man is human only when he plays", because that is when creative imagination is completely unleashed.

In this perspective, our focus shifted from the final result to the acts that generate it. Disregarding any specific purpose, we lost ourselves in stacking, assembling, colouring simple shapes, and then again destroying and rebuilding, just like we used to do in childhood. Fun and discovery in the process were the purpose. 

While playing, the idea of network with its nodes and connections became stronger and stronger, but only in its broadest sense. It could evoke the image of branched-chain amino acids as well as the prototype of a boardgame, or even the complex structure of an entire city, whose elements converse and exchange flows of any kind. The continuous oscillation between abstract and figurative corresponds to the continuous oscillation of meaning, just as it happens in the playful dimension.

We keep interpreting these images differently every time we look at them. In any case, once "work" is done its author disappears, or at least no longer matters. So, what do _you_ see there, instead?

D-D-Dots

Generative music in 40-140 bytes on-chain. ByteBeats are miniature functions that synthesize audio (and video) via bitwise operations (&^|<<*+/%>>). Because bits form groups in powers of 2, 4/4 beat-driven music emergently self-organizes. Each function in this drop is itself randomly generated, grouped into six families of composition and four families of visualizers. Some ByteBeats loop, some generate new patterns indefinitely. Some are for headbanging, some are for climbing forever through oceans of phase cancelation. (Instructions: click to play ...)

♫ ByteBeats

When thinking about community, we could observe the differences and things in common. There is a purpose for us to be together. It influences our behavior, identities, and choices. The diversity of shapes, colors, and combinations in this work is the metaphor for how we are connected and how these connections influence a complex web, which is represented here in this form that resembles a beehive. Bees have an enormous sense of community, a behavior essential for their survival. In this work, a single feature can radically alter the perception of form as a whole. The work contains eight possible shapes: random, stars, hexagons, triangles, arrows, trapezoids, diamonds, and flags. These shapes can be arranged following a random flow, rotating, or pointing to the center. Moreover, they can vary in size, spacing, and color. The color palettes correspond to edition groups. As a generative artwork, beauty arises from a mixture of all diversity. Charity: 25% of initial sales were donated to Lanchonete<>Lanchonete lanchonetelanchonete.com - promoting greater justice and social well-being for children and family members living nearby Providência, first Favela in Brazil.

Art Blocks Presents

Attraction #84

Jos Vromans

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