A Map is a score for a new world...
 
Maps is a generative script stored on the blockchain. Each mint generates a unique svg using a seed hash.
 
The initial inspiration for Maps was the idea that graphic notation can create a variety of different outputs for music.
 
This led to using sprites, a form of graphic notation that gives a sense of how things move without being animated, as the layout to explore each world. 
 
Each Map uses variable colors and patterns to generate different environments. By mixing 10 different elements, new biomes are named ( i.e. scorched forest, dune ocean, etc… )
 
These environmental elements are represented by color ( HSL ). different base and accent environments were picked to be mixed and matched freely. 
 
Maybe an NFT can be an instruction for something non-digital, too… The different colors are also matched with pantone chips so that each SVG can be easily printed.
 
The method for generating the pattern is called dithering, which is both inherently as much a digital process ( i.e. bitmapping ) as it is a physical one ( i.e. halftone ). The script uses a modified Floyd–Steinberg dither algorithm to approximate the light between each pixel and create unique patterns.

Maps

Ode to Penrose is a celebration of the natural beauty of aperiodic tilings, especially of the ones discovered by Sir Roger Penrose. These tilings lie at the intersection of complex mathematical problems and gorgeous visual aesthetics arising from finite amounts of simple objects.

This project introduces novel ways to use Penrose tiles. Unlike in traditional deterministic usage of these tiles, stochasticity plays a very important part of the script. Randomness can affect things like the total amount of the tiles used, their orientation, coloring, and size. Familiar patterns can be witnessed in some outputs and yet they are completely absent in others. Despite this, perhaps surprisingly, each output could be completed into a traditional Penrose tiling without erasing any lines.

Ode to Penrose

Strata explores the field of geology and more specifically rock layering. In the physical world, layered rocks form when particles settle from water or air. These layers of sedimentary rock are called strata. In the digital world, the Strata algorithm generates layer upon layer of colors to draw the impression of rock layering. Each token hash decides the unique path Strata takes through the generative space to the final output.

Strata

Beachy dreamscape vibes. 50% of the minting sales proceeds for Stipple Sunsets were directly sent to GiveDirectly, a non-profit that sends money directly to the worlds poorest and most in need–50% of subsequent artist royalties will be be donated to charities in the Rocky Mountain region.

Stipple Sunsets

This project is an exercise in simplicity, simulating stains of ink made through points and noise. 

Since creating art with code, I’ve wanted to reproduce the physical with the digital. 
Stains On A Canvas emerged from this desire to produce a hand-made canvas painting. 

Stains On A Canvas’s background textures use points or grids, and the algorithm explores the maximum difference between each iteration. The collection is divided into styles, named after popular flowers in my country [Brazil]. Colors are randomly generated to create unique tones paired with the variety of shades and shadows.





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Art Blocks Presents

Maps #76

john provencher

More in Art Blocks Presents

Ode to Penrose

uMathA

Strata

Vebjørn Isaksen

Stipple Sunsets

Jake Rockland

Stains on a Canvas

Omar Lobato

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