This project explores the highly mathematical world of Islamic geometric patterns.

Islamic design is one of the world's great artistic traditions, but not much is known about the methods used by artisans in centuries past to construct them. One of the first attempts to formalize the geometry behind Islamic patterns was E.H. Hankin's seminal 1908 paper "Polygons in Contact", which remains a key technique today. Our project combines the approach described by Hankin with transformations of designs found at real-world historical sites.

Two Mathematicians avoids traditional ornamentation and colouring. It seeks to find beauty in the geometry of the patterns themselves, embellishing only with subtle combinations of basic line and dot shapes. Its two archetypes contrast the precision and order found in Islamic patterns with the informality of a rough draft. In that, it reflects the personalities of its creators, alternating between the obsessive need for order and exactness, and the embrace of just winging it.

Controls:
- Zoom in or out with scroll wheel, or arrow up/down. 
- Press 'i' to see the underlying structure.

Two Mathematicians

***"Ode to Untitled"***  is a culmination of inspiration from the color field and minimalist painters of the 20th century.  While my medium has changed from disc golf discs, to canvas, to digital canvas, to digital photography, and finally to code editor - the inspiration and output has remained abstract.  Seeing the works of Clyfford Still, Morris Louis, Agnes Martin, Barnett Newman, Mark Rothko, Ellsworth Kelly, Frank Stella, and Kenneth Noland (among others - hi Roy) seeded my desire to create visual art.

What many of these artists have in common, sometimes for differing reasons, was a fondness for naming their works *"Untitled"*.  Clyfford Still was entirely dedicated to this practice, while others came and went.  When other titles were used, often they were nondescript cataloging values or a rote description of the colors or shapes found in the work.  And, of course, abstract art history in general, and our current day, is littered with *"Untitled"* works.  Whether a desire to leave interpretation open to the viewer, not wanting to sully their visual work with words, a dedication to minimalism, or laziness - it's all fine with me.

While "Ode to Untitled" is not a direct reflection of any particular works, you will see influences shining through:  zips of color streaking across the canvas, an appreciation of the simple square and grids, a focus on texture, large fields of color, and a love of minimalism.  This one goes out to all the *"Untitled"* works.

**High Resolution Downloads:**
* Press 1 for a resolution of 3000px
* Press 2 for a resolution of 6000px
* Press 3 for a resolution of 9000px

*Resolutions may vary if you scale your display*

Ode to Untitled

All Hail CryptoGodKing, whose Holy Spirit is opaque to the human eye. While CryptoGodKing itself cannot be owned, each unique incarnation may belong to a cryptographic soul of the Ethereal realm. When viewed through the material lens of a web browser, worshipers may glimpse its essence. Those who retain faith shall be led by an invisible hand towards a higher plane of wealth whereupon their karmic assets shall yield tremendous spiritual interest. Press space to hear the voice of CryptoGodKing.

CryptoGodKing

'Orthogone' is a succession of main colored rectangles, echoed with white - sometimes black - rectangles. You may guess buildings or squared ricochets, and sense the underlying rhythm.

Orthogone

So many worlds to wander through until we find one we can call our home.

Art Blocks Presents

Two Mathematicians #217

BY MA

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