~~~~~~~~~~~  Simple, Pure & Uncut Noise, straight from the Hash ~~~~~~~~~~~ 

HashCrash is an ode to the book SnowCrash, written by Neal Stephenson. This book had a very big influence on the crypto and NFT culture. Long before NFT's or concepts like the MetaVerse were used, Stephenson already described the things we are living with today. For example, he introduced the concept of HyperCards, digital items that could be exchanged and sold in the MetaVerse.

One of the main concepts in the book is what is called "SnowCrash". This is a digital drug that can take over the minds of people, turning people into puppets to be controlled by their master. The drug was represented as a type of visual noise that could bring the viewer into a trance state. Like SnowCrash, NFT's have quite some effect on our minds and body, the addictive behavior and price rushes of NFT’s evoke in people clearly something that has resemblance to how certain drugs work. 
HashCrash plays in a cynical way with this concept of a digital drug. 

By simply representing the pure input hash-data and mapping it  to color, geometric figures appear. By mirroring and cycling through the numbers, the structures behind the random hash string come alive. What seems as a simple noise pattern, can reveal whole worlds to explore for the ones that look closely. The fast paced representation of the hash data can evoke different feelings from relaxation to panic. 


~~~~~~~~~~~~~~~~~~~~~~  Cheap, fast & powerful  ~~~~~~~~~~~~~~~~~~~~~~ 

* No customized rarities for this one. What you see is purely translated randomness from the transaction hash.

** Stare at the center closely in live mode for guaranteed breakthrough within 10. minutes

*** Use with care, do not watch when sensitive for strobing lights.



HashCrash

Invasion Percolation is the first network visualization of modern network science and the first generative network art. The algorithm was built by Albert-László Barabási in 1994, and the surviving 1995 output opened the Hidden Patterns retrospective of BarabásiLab at ZKM Karlsruhe in 2021 and the Ludwig Museum in Budapest in 2020. The release of Invasion Percolation as a generative NFT is part of a hybrid performance involving the metaverse and the traditional gallery and museum space. Each copy of the 782 series, corresponding to the number of links on the published 1995 version of the work, will be printed and each printed work’s title, permanently recorded on the physical artwork, will be the NFT owner who generates the work. In rare instances, the algorithm will generate sculptures that will be 3D printed. The 2D and 3D prints will be shown at the Cyberart Gallery in Boston, Postmaster Gallery in New York, Ludwig Museum in Budapest (Hungary), and New Kriterion Gallery in Csikszereda (Transylvania, Romania), each location receiving unique artworks. With the release of Invasion Percolation as a generative NFT, empty exhibition spaces will gradually fill in thanks to the actions of the collectors, who generate and name the work.

Invasion Percolation

How can intent be communicated when ideas are filtered through a pseudorandom number generator? Simply looking at the output does not make it clear whether a stroke is placed on the canvas because of a decision by the artist or by a roll of the dice. The artist’s hand is more present in the process than the result; they choose the algorithms, tune the parameters, and prune the features. As I experimented with my code, I held a particular idea in mind, but I was uncertain how it would finally manifest. I pursued a visual composition that made me feel a certain way, and the visuals I landed on communicate my feeling better than anything I can put into words. Through Curved Air is about the challenge of communication. Regardless of the medium, I can never be certain that the message I intend to send is the message that is received.

Through Curved Air takes inspiration from musical minimalism, where repetition is used to highlight changes in rhythm and harmony. Every output is created by repeatedly copying a single shape. Each copy only has meaning in relation to the other shapes nearby, and that meaning changes with the context around it. Delicate structures form and are subsequently obscured by further layers, and though they may be hidden, they still affect the perception of the final image. Clicking on the canvas will start or stop the looping mode, where the image is recreated in a slightly different way. New facets are exposed as the composition changes yet remains the same. Just as I spend my days trying to share my inner experience through my art, Through Curved Air uses each shape and each loop and each token hash to attempt to create a common feeling between myself and the viewer.

Through Curved Air also takes inspiration from the paintings of Joan Mitchell. I was drawn to her expressive strokes, vibrant colors, and use of negative space, all of which come together to give a more intense feeling of looking at a landscape than just looking at a painting of a landscape. Her energetic marks clearly communicate that there is a human being behind the art. The marks of generative works are often similarly representative of the underlying process, but instead of drawing focus to the artist behind the piece, they draw attention to the algorithm. To convey human emotion in the way I intended, I had to use a subtler algorithm.

The technical tools to convey this emotion are tools I have been consistently developing in my practice. I love making generative art because I can design a system where I understand how all the components work, but they can still come together to produce a result that surprises me. The algorithm behind the compositional variation in my earlier works Coquina and Primordial is one I continued to evolve, and it rests at the heart of Through Curved Air. In fact, I pushed it further than ever, using it to create the individual shapes that form the building block of each output. This emergent variation permeates the work and results in surprising images that more closely resemble paintings than anything I made previously. I believe the potential for surprise is key to conveying emotion through code. When the possibility space of the algorithm grows too large to understand, the mind wanders to the person behind the algorithm. Perhaps the human element is the struggle to understand, or the struggle to be understood.

Through Curved Air

Brushpops is a generative system inspired by Roy Lichtenstein’s iconic work, where a random hash determines the composition of a series of abstract brush strokes. Lichtenstein’s original work has separated the brushstrokes from their original context, and now we take another step in the same direction, and separate the artist from the work. The artist has to relinquish control, and set the work free, where only some loosely-predetermined rules and a hash number will determine the actual outcome. The Brushstroke was detached from the painting, and it’s now detached from the artist as well.

Brushpops

What would a transaction hash look like in space? This project explores the spatial properties of 32-byte hashes by intertwining bezier curves based on them. Floating on deformed blobs, both the curves and their companions are constructed by mapping parts of the hash to the screen. Forever yours to untie, slowly drifting in aether space - the metaverse is surely tangled. ——— Best enjoyed in live view - touch/click anywhere to stop the animation, press ’s’ to save an image.

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