Tens of thousands of particles are traversing the force field, leaving a trail in their path. The sum of their trails reveals the face of the eldritch horror hidden in a token hash. Some look like smoke, some look like tentacle-mouthed elder gods. What do YOU see there?

"Summoning Ritual" is an exploration of generating emergent pareidolia-inducing shapes using particles, symmetry, and a set of force fields. 5142 bytes of javascript is just enough to summon visions of ethereal beings.

Requires a WebGL-enabled browser. Renders in real-time. Speed and quality depend heavily on the canvas size (the particle size and count are functions of the canvas size). Keys l(ow),m(edium) and h(igh) switch rendering quality. Keys 1-5 control the rendering speed.

Any similarity to actual deities, living or dead, is purely coincidental.

Summoning Ritual

When feeling stuck, go back to your roots. Rinascita is the legacy of Essenza, rebirth through epiphany. A celebration of gratitude, joy, and family. In a sudden awareness of the raw greatness of life.

Rinascita

# eternity stirs
my finger stirred the pool. 
iridescent specks at this distance. 
molecules separated by infinities, 
attracted by a gentle gesture. 
matter built on reducible complexity, 
remarkable what emerges from the soup.

the specks of light flash for a moment, 
then flame out. 
the arc of their burning wick 
painting pictures; 
heating arguments;
bleeding in the darkness. 

helpless to start or stop anything, 
bodies in motion, 
tending to stay in motion,
until the fuel runs out.

# can there be beauty in pain?
Flora, Fauna, False gods & Floods continues a theme I began in Beauty in the Hurting. When turbulent acts of god subvert best-laid plans, is there beauty in the broken images of life we leave behind?

Left alone, these images would resolve to nearly symmetrical dreamlike ink blots of meaning:  a flower, a feathered creature, or a figure of worship. In fact, what is most beautiful in their image may lay outside the frame. 

The final resting frame in each composition does not paint the whole picture. You must go looking for it. Interact with each composition by following the controls below.

# **saving**
* **a key** - download transparent uncropped print
* **s key** - download print

# **controls**
* **f key** - toggle speed up / slow down at 5x speed
* **h key** - toggle speed up / slow down at 20x speed
* **r key** - reset the camera view
* **click/touch** - while rendering, toggles between full view and follow view, when finished, cycles through zoom levels
* **click/touch and drag** - change the cropping of the image
* **click/touch again after dragging** - restore the default image crop for the current zoom level

flora, fauna, false gods & floods

This project is an exercise in simplicity, simulating stains of ink made through points and noise. 

Since creating art with code, I’ve wanted to reproduce the physical with the digital. 
Stains On A Canvas emerged from this desire to produce a hand-made canvas painting. 

Stains On A Canvas’s background textures use points or grids, and the algorithm explores the maximum difference between each iteration. The collection is divided into styles, named after popular flowers in my country [Brazil]. Colors are randomly generated to create unique tones paired with the variety of shades and shadows.





-Press from 1 - 9 in your keyboard to adjust the pixelDensity and increase/equalize the resolution quality according to your screen.

-Press "S" to save a .png file in the resolution quality you choose.

Stains on a Canvas

Mazinaw is about the timeless struggle to express our humanity and communicate the ineffable. The title derives from Mazinaabikinigan-zaaga'igan, an Algonquin word meaning “picture” or “writing”, alluding to the dual nature of pictographs. 

Inspired by my encounters with neolithic cave paintings in Europe and indigenous pictographs flanking Canadian lakes, Mazinaw hints at etchings, drawings, and anthropomorphic forms. While Mazinaw draws on expressionists from Wassily Kandinsky to Norman Lewis, it takes abstraction one step further: each piece is constructed by the artist indirectly, via a generative code, allowing the emergence of new undreamt-of forms.

The 19 palettes are inspired by the natural world, but their roles are sometimes twisted: cerulean blue strokes appear over an ochre canvas, and green flashes of light hop across a gray expanse. I invite the viewer to spend time with each piece, finding their own order from chaos. Signed fine-art archival inkjet prints will be available for owners at a modest cost.

Note: Mazinaw is best viewed in large format (full screen), or printed. Each piece has infinitely fine details, some of which will only be visible in print. Mazinaw renders seamlessly in any aspect ratio; adjust the window size and shape as desired, click on the frame, and type 'f'. 

Controls:

 s   -- save as png
 spacebar  -- pause/unpause
  f   -- toggle square / fit-to-screen aspect ratio
   1-6  -- set pixel density (default=2 on retina displays)
   +/-  -- increase/decrease pixel density
   n -- enable/disable night mode
   p -- enable/disable pastel mode

Art Blocks Presents

Mazinaw #89

Eric De Giuli

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Summoning Ritual

PZS

Rinascita

Stefano Contiero

flora, fauna, false gods & floods

Ryan Green

Stains on a Canvas

Omar Lobato

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