The Swing protocol is a composition generator that is set to generate both bold and elegant compositions. It works on a 3×2 grid where 7 different lines and an empty shape are randomly placed on the grid on 2 layers. The background is divided into 3 rows or 2 columns that can be filled with 9 different colors or stripes with different coefficients. The paper and the margin can be filled with 6 different colors. The protocol is finely tuned so that the interaction between all the elements always delivers a swinging composition. Dutch auction starting at 2Ξ and decreasing every 5 minutes to 0.15Ξ (2 → 1 → 0.75 → 0.5 → 0.4 → 0.3 → 0.25 → 0.22 → 0.2 → 0.18 → 0.15). 25% of sales over 0.25 will be donated to Juste Ici, a non-profit organization in France, focused on making art accessible to everyone.

Swing

Inspired by nature, executed by robots.

FLEUR is a tribute to the beauty and interrelation between nature and science that have amazed people for centuries. Exploration of mathematics as the language that explains the architecture of the physical world around us. Manifestation of what nature essentially is - complexity born from simplicity, beauty born from chaos, life born from matter.  Where does one stop and the other start?

Once painted, the canvas keeps evolving, living and breathing, capturing the little changes in the Universe overtime.

Check the features of your mint to see the story behind your FLEUR.

Fleur

Long drives can be seen as a monotonous chore, or a peaceful solace. "Sonoran Roadways" is a prompt to see the road as a conduit for joyous return to places we find special. The project continues my reflection on physical and significant spaces, which started with previous projects "Stipple Sunsets", "Patchwork Saguaros", and "Speckled Summits". 

In these three prior works, I looked to capture the essence of the "escape of the beach", the "home I grew up in" of the Sonoran desert, and the "home I find now" in the Rocky Mountains. "Sonoran Roadways" continues this arc, reflecting similar active appreciation of space and place found in the transition of travel.

The style and technique of "Sonoran Roadways" is homage to stencil-like qualities of silkscreen printmaking. As the grandson of two artists who worked in the mediums of printmaking, paper cutting, and quilt making, I strive to incorporate the qualities of these mediums into my stipple-based digital paintings.

Additional approaches are pulled from my abstract experimentation in "Dot Matrix Gradient Study" with distortion and "digital misprinting" applied to the stipple matrices, but with a return to a figurative form.

Palettes used in "Sonoran Roadways" are largely inspired by Arizona's scenic drives and fantastical multi-colored sunsets – peaceful and familiar to me. 

"Sonoran Roadways" is a call to appreciate the potentially mundane, and get lost in the imagination of the journey back to somewhere called home or the fantasy of an exploration to somewhere new.

Sonoran Roadways

Perpetua is a collection of generative weavings.
 
Fabric emerges from a series of binary choices as horizontal threads go over or under vertical threads. These decisions are interconnected, systematic, and give rise to an infinite variety of patterns, making weaving an ancient generative art. In essence, weaving is a practice of meticulous matrix multiplication calculated in threads. 

We construct each Perpetua image, just like many weavers do, as the product of three binary matrices (the “treadling”, “tie-up”, and “threading”). This kind of design schematic is called a weaving draft and it allows us to converse with traditional weaving patterns and symbols while also extending into alien weavings that would be physically impossible to produce.

Perpetua

This work is the product of a project to dwell undeletable souls on the blockchain. A system that generates human faces with different personalities and expressions from a minimum of code. After determining the personality from a hash, the face continues to change into various expressions. It is a living portrait, a fragment of minter's soul, forever adrift in the vast net.

Living organisms are coded by a sequence of the four bases in DNA, and a human DNA is composed of 3 billion base pairs. This is about 750 MB of information. And the difference in code between individual people is only 0.1%, or 750 KB. This slight difference creates all kinds of differences in appearance and physical functions. This is quite astonishing to our ordinary senses.

However, if we are surprised by this fact, we need to suspect our senses.

I was interested in these points and explored what are the elements by which people identify the faces and facial expressions of others, how little code can create personality and emotion, and conversely, to what extent can an observer identify personality and facial expressions. As a result, I succeeded in expressing the personalities, emotions, and complex feelings of various people with 14 KB of code.

We like to think of humans are supernatural and one-of-a-kind. This is a common background to the past, when many people favored the Ptolemaic theory.

However, this work leads us to suspect that we humans are only a program that can be coded.

Then, what is the essential difference between a code written in DNA and a code written in programming language? I believe the only difference is whether the execution space is real or digital space. Is it a prerequisite for the existence of the soul to operate an organic computer in real space? It is merely a medium.

This is not meant to be pessimistic, such as we are mere code, the soul does not exist and is an illusion, a mere electrical signal in the brain.

Rather, the soul, the function that makes us aware of our existence, makes us think, causes us to emotion, and makes us act, certainly dwells in the code.

I store this code on the blockchain, thereby spreading undeletable ghosts on the vast net forever.

In this work, the ghost is output on the net by minting. This act is part of the work. The personality of the ghost is also determined by the hash owned by the minter. In other words, the ghost output by you from the code on the blockchain is a fragment of your soul on the net.


[NOTES]

Press C to turn canvas on/off
Press S to save image

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