An arcane schematic encased within a rotating vortex. Token data determines palette, vortex attributes, and the arrangement of all lines and shapes.

Wave Schematics

Radiance explores the combination of simple line patterns structured at different scale to produce unique connected geometric forms. Resulting shapes can vary from minimal to organic and intricate with an underlying modulation of line spacing radiating from center.

Radiance

DIVERGENCE
Divergence, a never-ending abstract motion work, reacts to audio and touch inputs.  Dive into stacks of deterministic layers to explore emerging patterns, and fine-tune the audio reactivity to your preferences.  

You may wish to use the controls to wander within Divergence until the aesthetic feels right to you, or complements your audio input.  Navigating the art in this way gives a tangible window into my artistic process.  My aesthetic is influenced by the music I listen to as I code. I enjoy experimenting and looking for the art in the algorithm.  This can mean playing with overarching ideas, but also making many small changes until I find consistent visual appeal over a range of outputs.  

Divergence exhibits animations changing over time in expanding, textural layers.  It elaborates on concepts I’ve developed in previous works: my approach to color in phase; linear motion in Parade; interlacing lines and expansion/contraction in Kaleidoscope; and the noise textures of Sift.  Newly explored is continuous animation with touch and audio inputs, which affect the viewing position in time and space.  

A common quip in the Art Blocks community is that motion art has a penalty. Many enjoy a final product that is printable to frame at home.  As technology advances, I believe it is equally important to create work that can only exist on a screen, and is unique to digital art. Larger displays are catching up to the artistic space and becoming more accessible, but I also want my work to be approachable immediately.  Keeping the code lean and performant allows it to run well on a range of screen sizes and processor powers, from mobile devices to multi-story displays.  There has been discussion that a body of motion work takes a long time to sift through, as it needs to be viewed live.  In consideration of this, I made Divergence immersive, rather than a static experience. I want the extra time spent with it to be fun and entertaining.  

Usage: Navigate left/right to traverse the timeline; navigate up/down to travel through the layers and expand/contract the patterns.  Please see “Display Notes” for further instructions (user input, audio reactivity, url parameters).  Accessibility is important to me, so Divergence accepts inputs from touch, keyboard, mouse, and gaming controllers with an analog stick.  

*Photosensitive seizure warning: These artworks contain flashing colors and moving patterns.

Divergence

﻿Abstraction is a complex abstract artwork created in several stages where each new element drawn takes into account the elements drawn in the previous stages.

Abstraction

This work is the product of a project to dwell undeletable souls on the blockchain. A system that generates human faces with different personalities and expressions from a minimum of code. After determining the personality from a hash, the face continues to change into various expressions. It is a living portrait, a fragment of minter's soul, forever adrift in the vast net.

Living organisms are coded by a sequence of the four bases in DNA, and a human DNA is composed of 3 billion base pairs. This is about 750 MB of information. And the difference in code between individual people is only 0.1%, or 750 KB. This slight difference creates all kinds of differences in appearance and physical functions. This is quite astonishing to our ordinary senses.

However, if we are surprised by this fact, we need to suspect our senses.

I was interested in these points and explored what are the elements by which people identify the faces and facial expressions of others, how little code can create personality and emotion, and conversely, to what extent can an observer identify personality and facial expressions. As a result, I succeeded in expressing the personalities, emotions, and complex feelings of various people with 14 KB of code.

We like to think of humans are supernatural and one-of-a-kind. This is a common background to the past, when many people favored the Ptolemaic theory.

However, this work leads us to suspect that we humans are only a program that can be coded.

Then, what is the essential difference between a code written in DNA and a code written in programming language? I believe the only difference is whether the execution space is real or digital space. Is it a prerequisite for the existence of the soul to operate an organic computer in real space? It is merely a medium.

This is not meant to be pessimistic, such as we are mere code, the soul does not exist and is an illusion, a mere electrical signal in the brain.

Rather, the soul, the function that makes us aware of our existence, makes us think, causes us to emotion, and makes us act, certainly dwells in the code.

I store this code on the blockchain, thereby spreading undeletable ghosts on the vast net forever.

In this work, the ghost is output on the net by minting. This act is part of the work. The personality of the ghost is also determined by the hash owned by the minter. In other words, the ghost output by you from the code on the blockchain is a fragment of your soul on the net.


[NOTES]

Press C to turn canvas on/off
Press S to save image

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