*Arcadia* is a homage to the fridge-worthy landscape art of our youth. Childhood techniques of creating art are re-imagined by the scribbles of a nostalgic, computer-assisted mind.

**Spacebar**: Skip animation and load final image (useful when rendering in high resolutions)
**Up arrow**: Speed scribbles up (default speed is the highest)
**Down arrow**: Slow scribbles down

Arcadia

I feel like an imposter. Pseudo-anonymous as *ippsketch* while maintaining an engineering career and family life. I live on the edge of two worlds, immersed in self-doubt. Leaning into each space, I bring a part of each world with me, but wonder if what I bring is enough. I question my identity while learning to embrace it. Art, after all, is made by ordinary people. And I wonder, does anyone really know what they're doing?

*Imposter Syndrome* is an expression of my seeming dual existence and my feelings of not being enough in many aspects of life. But I do not mean for this to be entirely prescriptive to the work and often see other interpretations and meanings myself, such as anytime I straddle the edge of something new, when I'm on the fence and making a decision between two directions of my life, or if I consider the shadow or light I cast in the spaces and people around me. These pieces move me differently from day-to-day.

This work leans into minimalism. As trends in generative art push toward the visually complex and highly technical, I find my current focus on simple composition and compelling structure. I'm also drawn to broken symmetry, which echos my dual artist/engineer life and is also what I consider to be a visual representation of generative art - design and order on the one hand, random variation within constraint on the other.

Color palettes echo those used in *Bent*. Simple and bold colors with stark black and white support. Pieces are rendered in a default poster size (3:4), but are also adaptive to screen size so that they can fit any display. The work can be interacted with by pressing the number keys 1, 2, 3, 4 to see the steps of construction.

Imposter Syndrome

A collaborative project that transitions the visual aesthetic of a Matt Bilfield peg piece to the generative art world. “Pixels” from the physical world take on new life as the limitations of reality are removed and they are free to assemble and morph without the rigidity or permanence of wood, paint and glue. Round and square variants incorporate multiple color palettes into four unique styles, each with their own distinct attributes. Additional variety in dimensions, depth, color placement, animation, and light modes ensure no two are alike. Make sure to explore the intricacies of each piece by using the mouse to see all angles. Keyboard shortcuts: a: toggle animation, r: reset camera position, s: save screenshot.

Transitions

*Your Story* is a book like no other.

It's the story you always wanted to read,
the story you always wanted to create.
Any story you want.
*Your Story* is your imagination projected within the pages, 
to tell a story today, 
and another tomorrow.

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### The idea:

I was playing with a dot on a canvas, when I recognized the first symbol.
In the end, writing is not different from drawing.
So I generated another. And another.
That's how I realized that I had discovered a new language. As a writer, I knew what I had to do:
let this language tell the stories it wants.

Characters in modern alphabets are symbols that, over thousands of years, we aligned on in order to comunicate in written form.
Most people can tell which character represents what in the alphabet they're most familiar with.
There is no room for imagination anymore in the characters themselves. It's all up to the combination of them.
So we form words, sentences, chapters, books.

But imagine now a language that no one understands.
Every interpretation of it is valid: there is no wrong answer. 
Anyone reading it is perceiving a different story, creating a different story.
It's *your* own choice.
You can decide to change the story at every reading. Or keep a piece of it consistent. Collaborate with others to create a new story.

*Your Story* is giving back full imagination to *you*.

---

### How it works:

I wanted *Your Story* to look like a book, and all pieces of the algorithm follow this aesthetic direction.
The aspect ratio is set to √2:1, as most of the paper sizes available worldwide (ISO 216, ISO 217 and ISO 269).
Two set tokens (first and last) are the cover and the blurb. 
The remaining tokens form the interior, using token ID to determine whether the page is left or right and the respective margins.
The hash is used to determine the aesthetics of the page: the character style, the type of page (chapter header, illustration, normal text), the presence of notes, and highlights.
All character styles have clear differences between them, and occasionally they are all mixed together.
*Your Story* is not meant to be a single alphabet, but rather an exploration of the imagination. Different character styles may evoke different thoughts.

Your Story

Recursion is a generative art project whose concept is recursion. Each variation starts with a block which is irregularly divided into smaller blocks, which are then divided into smaller blocks, which are then divided into smaller blocks, etc, based on a defined depth (to better visualize this concept, take a look at https://hevey.art/blog/recursion-concept). In this project, even the script is recursive! The script is able to generate a large number of variations and each of these variations is then able to generate its own variations (keeping the same properties) with a single click on the image.

Art Blocks Presents

Arcadia #111

Zachariah Watson

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Imposter Syndrome

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Transitions

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Your Story

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Recursion

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