*Arcadia* is a homage to the fridge-worthy landscape art of our youth. Childhood techniques of creating art are re-imagined by the scribbles of a nostalgic, computer-assisted mind.

**Spacebar**: Skip animation and load final image (useful when rendering in high resolutions)
**Up arrow**: Speed scribbles up (default speed is the highest)
**Down arrow**: Slow scribbles down

Arcadia

Cushions brings together image processing and generative art techniques. The latter provides the geometric structure, and the former creates the organic shapes. Every single pixel and its connectedness to other pixels are explicitly considered. Inspiration for the palettes ranges from digital illustrations and pastels to a nod to renowned artists and different ethnicities. The organic shapes and the textures within symbolize the beauty in our individual oddities. Some pieces evoke the semblance of fantastical dreams in starry nights. Some of the comfort and familiarity of home. Some of nostalgia and long-lost friends. Some of reasonable and grounded perspectives. Some of sparks, some of style, some of strength, and some of passion. Some of candy. Some of pop art. Some of modern interior design. And some of traditional Indian cushions, known as Takiya.

Cushions

Rituals combines generative music and generative artwork to create 1000 unique windows into a singular parametric universe. The music and art are crafted to infinitely evolve, giving collectors a subtly new experience upon each viewing. If left running, a single Ritual will continue generating music and art without repeating for ~9 million years. We invite you to hold space for yourself and enjoy a moment of mindful stillness. The first 200 were minted in real life at Bright Moments in Venice, CA, USA in September 2021.

Best experienced on modern equipment. Click to start.

Artwork by Aaron Penne (@aaronpenne), music by Boreta (@boreta), music system produced by Counterpoint (ctpt.co).

Rituals - Venice

Attempts at perfection are destined to fail. This project embraces the impossibility of perfection in human execution and digitally simulates these imperfections.

In his abstract minimalist work, visual artist Wouter Kalis steers away from meaning. Horizontal black and white paper strips are placed on colored paper panels and one strip dictates the placing of the next. However, each attempt at perfection ends in failure. These mistakes have now become the signature of his work and contribute to the depth of content.

Digital representations of minimalist art can be executed to perfection but are less interesting to look at. In this project, artist Wouter Kalis and his son, software engineer Rosco Kalis, together attempt to recreate the human touch in digital art, the imperfection. 

The project displays computer-generated digital works similar to the physical works made out of paper. The colors of the digital panels are directly derived from the colors of the paper used for the physical work. The digital works can thus be reproduced using real paper. Please see the project website for details if you're interested in purchasing a handmade physical reproduction of your NFT.

Imperfections

Pointila explores what happens when you combine the meticulous dots reminiscent of Pointillistic painting techniques with the channelled randomness of generative art, whilst also examining how subtle changes in parameters can paint similar forms in different styles.

Pointila is designed for display and interaction. Clicking on a live mint will trigger an animation loop between the primary and secondary palettes, click again to pause. Press 0, 1, 2, 3 or 4 on your keyboard to change glitch state. Press S to download a high resolution print.

Pointillism emerged from a collision of art and science in late 19th century French painting. Developed by Georges Seurat, his appeal to science, rigour and order built upon the broken brushstrokes of the Impressionists, as painting began to reckon with the emergence of the new technology of photography. Unbeknownst to Seurat, this response to one technology would foreshadow another – that of digital displays and pixels.

Rigour and order was manifest in the distinct dots of colour that give Pointillism its name. From a distance, the eye mixes these dots into vibrant, luminous scenes. This optical mixing bears a striking similarity to the way pixels work to display images on screen for us today.

“It’s done mechanically?” was a question posed at an 1894 Neo-Impressionist exhibition. The answer then was no. Pointila is both more and less mechanical than the Pointillist work that provoked the question. More, in that the hand of the artist has been replaced by the work of the computer – an extension of Seurat's efforts to remove the free hand of the artist. Yet less, with the ultimate position of each of the millions of dots decided randomly, unknown to the hand of the coder.

The Pointila algorithm first divides the canvas into columns. It then traverses the canvas dropping dots along those columns. From just a handful of layers, landscapes emerge. They take on a variety of forms: from rolling plains and steep canyons to jagged peaks and dreamy moors. Some are sharp and tense, others hazy and ethereal. They are coloured with handpicked palettes and animated with bold glitches – a nod to the shared optics of Pointillism and pixels.

Subtle changes in initial parameters give rise to similar landscapes painted in different styles. Faint echos, perhaps, of the different styles we see from Seurat in the numerous studies related to his masterpiece Un dimanche à la Grande Jatte.

Art Blocks Presents

Arcadia #254

Zachariah Watson

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Cushions

Devi Parikh

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