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Screens #957
Thomas Lin Pedersen

https://data-imaginist.com/screens

Screens have been at the heart of art mass production and mass consumption for ages. From screen printing techniques, first developed in China around 1000AD and later popularized in western art culture by e.g. Andy Warhol, to the screens on our devices used to consume both digital art as well as most traditional art we experience in our life.

The "Screens" series is a celebration of modern art. It is inspired by the aesthetics inherent in screen printing along with the compositions and colors of both Bauhaus, Constructivism, and pulp fiction sci-fi covers.

The compositions in "Screens" is based purely on strict geometries and plays with the tension, and symphonies that can be created from combining simple rules. The end result can range from chaotic non-figurative to strongly ordered isometric scenes.

The generative system underlying the rendering mimics the screen printing process by rendering and applying a single color at a time to a master image. Each virtual screen may be more or less aligned with the master, creating a lovely flawed balance to the precision of the rendered geometry.

25% of the proceeds from this project will be donated to Den Blå Planet, The Danish National Aquarium, in support of their work on preserving and restoring marine life and ecology.

license: CC BY-NC 4.0

collection: curated

owned by: 0xbfe6ab

library: js

feature
value
Palette
4.70%
Alignment
61.90%
Border
89.50%
Stroke
5.80%
Grain
71.80%
Splotches
89.80%
Color
49.20%
Style
29.90%
Clipping
81.50%
Screens
2.60%

features

The Refuge

4.70% (47) have this trait

Precise

61.90% (619) have this trait

On

89.50% (895) have this trait

Calm

5.80% (58) have this trait

Medium

71.80% (718) have this trait

On

89.80% (898) have this trait

Chaotic

49.20% (492) have this trait

Antagonists

29.90% (299) have this trait

Spacious

81.50% (815) have this trait

Thin

2.60% (26) have this trait

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