The Curated Collection includes projects that have been selected by Art Blocks’ Curation Board for their world-class innovation, technical rigor, and aesthetic beauty.

curated

The Art Blocks x Pace collection includes boundary-pushing generative projects by select Pace artists developed in partnership with Pace Verso.

artblocksxpace

This collection comprises projects screened and selected by Art Blocks and embodies our standards for artistic creativity, conceptual rigor, and technical achievement.

presents

This is the place where we tinker. What lives here is free of theme or architecture but the one common strand is that these projects all grant us delight.

explorations

Wabi Sabi

Friendship Bracelets

GHOST IN THE CODE

Photon's Dream

Wabi-sabi, an ancient Japanese aesthetic sense, refers to finding beauty in imperfect and lonely things.
Life is irrational and ephemeral. 
Peace and happiness are illusory, built on a fragile balance. 
Wabi-sabi is an immersion of the quality of loneliness within ourselves that accepts various nuances to be beautiful, through a sophisticated lens.
This work attempts to store the compelling concept of Wabi-sabi on the blockchain as the code dynamically generates brushstrokes based on motifs of Shodo (Japanese calligraphy)

Wabi-sabi begins with a deliberate movement in which an ink-soaked brush is plopped down onto the paper, causing the ink to splatter.
Thereafter, a unique algorithm assists in drawing brushstrokes. 
The various forms that emerge from the balance of lines that are straight or curved, regular or irregular, strong or slight, complex or delicate, with varying speeds analogize a person’s will through the brushstrokes. The bleeding, scratching, and splattering of ink lend the modelling even more complexity. Wabi-sabi does not impose precision in creating Shodo strokes. You may notice how the colors always bleed in the same direction, which is impossible to generate in our physical reality. This is because even if the brush is impregnated with multiple hues of ink, the bristles rotate as the brushstrokes are drawn. It may also generate three-dimensional patterns, a feature that is absent in physical practice, offering the impression of depth, as if brushstrokes were drawn arbitrarily in space. This is achieved by controlling the focus.

A key feature of each artwork is that it can be edited. A piece of art is usually completed by the artist and presented to the viewer. I intended to make this work as imperfect as the concept of Wabi-sabi, which can be infinitely edited by the viewer. This is impossible with conventional NFTs, with generated image data uploaded to a server. Such is the luxury in art created with on-chain generative art by code.

For each composition, the blank space as the foreground and background is a conscious and elemental choice in this work.
Wabi-sabi is to accept the lacking. Some artworks can have much of the space as blank, which may seem odd but is consistent with the narrative. Digitally native art often takes full advantage of the computing power to lay out complex patterns across the entire canvas. Wabi-sabi is minimal as a contemporary take on that trend. Through the bleeding and scratching of ink in each brushstroke along with the blank space represented in this work, we welcome imperfection. Conceptually, contrasts between movement and stillness, strength and weakness, audacity and delicacy, complexity and simplicity, vividness and fadedness reveal a melancholic beauty.

The search for beauty through imitation and slight modification, and the exploration of the techniques used to create traditional or innovative shapes, is akin to the training in Shodo. 
Simply said, you cannot do it well the first time. The Japanese word for Shodo ("do") means "road". It is by travelling down the long road involving hours of training and exploration, that the sensitive concept of Wabi-sabi may be understood.

The underlying intention is to facilitate partaking in the process of the artist's exploration. The viewer is the artist and the artist is the viewer, sharing a sense of camaraderie that lives forever on the blockchain

[NOTE]
-Move the mouse over the left edge of the canvas and press the Edit button. 
-To edit, press the ‘S’ key
-To save the image press the ‘R’ key.
-To redraw, modern hardware and browser hardware acceleration is recommended. The Chrome browser on a desktop with a high-end GPU is optimal. On iOS, the best experience is available on iOS 12 or later.

This work is the product of a project to dwell undeletable souls on the blockchain. A system that generates human faces with different personalities and expressions from a minimum of code. After determining the personality from a hash, the face continues to change into various expressions. It is a living portrait, a fragment of minter's soul, forever adrift in the vast net.

Living organisms are coded by a sequence of the four bases in DNA, and a human DNA is composed of 3 billion base pairs. This is about 750 MB of information. And the difference in code between individual people is only 0.1%, or 750 KB. This slight difference creates all kinds of differences in appearance and physical functions. This is quite astonishing to our ordinary senses.

However, if we are surprised by this fact, we need to suspect our senses.

I was interested in these points and explored what are the elements by which people identify the faces and facial expressions of others, how little code can create personality and emotion, and conversely, to what extent can an observer identify personality and facial expressions. As a result, I succeeded in expressing the personalities, emotions, and complex feelings of various people with 14 KB of code.

We like to think of humans are supernatural and one-of-a-kind. This is a common background to the past, when many people favored the Ptolemaic theory.

However, this work leads us to suspect that we humans are only a program that can be coded.

Then, what is the essential difference between a code written in DNA and a code written in programming language? I believe the only difference is whether the execution space is real or digital space. Is it a prerequisite for the existence of the soul to operate an organic computer in real space? It is merely a medium.

This is not meant to be pessimistic, such as we are mere code, the soul does not exist and is an illusion, a mere electrical signal in the brain.

Rather, the soul, the function that makes us aware of our existence, makes us think, causes us to emotion, and makes us act, certainly dwells in the code.

I store this code on the blockchain, thereby spreading undeletable ghosts on the vast net forever.

In this work, the ghost is output on the net by minting. This act is part of the work. The personality of the ghost is also determined by the hash owned by the minter. In other words, the ghost output by you from the code on the blockchain is a fragment of your soul on the net.


[NOTES]

Press C to turn canvas on/off
Press S to save image

Kazuhiro Tanimoto

Since founding Art Blocks in 2020, artist Erick Calderon (a.k.a. Snowfro) has been intrigued by the idea of representing digital artwork in the physical world in the form of an ephemeral physical object with meaning, but with no inherent value. 

Donald Judd has long been an inspiration for Art Blocks. One aspect we admire most about Judd’s artistic practice is the elegance of design he effortlessly paired with the accessibility of materials that could be found at a hardware store. With Judd as inspiration, we hatched a plan to create a unique generative art friendship bracelet that includes instructions to make, in minutes, a simple bracelet using a few dollars’ worth of embroidery floss. Donald Judd believed that what surrounds us in our day-to-day life is already so beautiful, and that ultimately the experience of creating art is as important as owning it.

Erick was incredibly excited to collaborate with renowned artist Alexis André (a.k.a. MacTuitui) to bring generative art and ephemeral physical objects together in the form of friendship bracelets. Conceptualized by Erick and aesthetically and programmatically designed by Alexis, this project pairs creative coding with a beautiful spectrum of embroidery floss colors. The project was a true team effort, as each member of the Art Blocks team designed and named their own color palette!

The project is a token of our appreciation to the creators, makers, builders, and collectors who have all contributed to making the Art Blocks community what it is today. Participating in this project is a signal, both online and IRL, that you’re a participant in this evolution of art + community. You are pushing the best ideas forward. You are the reason all of these imaginative projects come to life. Our community is what makes all of this possible. So, to say it plainly, we appreciate you, and we hope that you’ll accept this bracelet as a token of our special friendship!

The owner of any wallet with an Art Blocks piece at the time of snapshot (October 26, 2022, at 3pm US Central time) is eligible to claim two mints from this special generative art project. We would love to see you keep one bracelet and share your love for generative art by gifting your second mint! These mints are free to claim (you pay only the gas) and exist on L1 Ethereum. Please note that we may in the future release additional modified iterations of the Friendship Bracelets project, ideally on an L2 scaling solution, that may substantially increase the total supply of tokens related to the project, with the intent of being a more accessible entry point to a larger audience. But this version is what we're here to celebrate today, and this gift is for you in gratitude for your support along the way. Please enjoy this token of our friendship and explore the wonderful artwork created by Alexis André. Then, let's all make bracelets together! 

Warmly,
Alexis + Erick + the Art Blocks team



The claim window expires on January 10, 2023, at noon US Central time.

Click into the Display Notes for information about making your bracelet.

Compression has been the driving force behind the image-based internet since the early 90s. No compression, no Netscape, no social media, no NFTs. The JPEG compression has specifically enabled photography-based imagery on the net. It has always served that purpose and over time become the de facto default for showing high quality imagery online. But compression always leaves a trace, which has become the lens through which the network sees the world of uploaded images.

"A painting is not a picture of an experience, but is the experience." ― Mark Rothko

JPEG tries to create an image programatically fully expressing that signature compression. An image that is like empty made from barely nothing, yet fully present in its blazing appearance. A work deeply material, expressing itself through the language of code and codec only. This is not a JPEG depicting an image. The JPEG is the image itself.

Delving into the depths and peculiarities of the digital, tethered to art history, JPEG found its way to the surface. Generated color fields are utilised to trigger the compressing algorithm, resulting in a world of raw visual entities. Where the abstract expressionists cut out the depiction in painting, aiming to let the artist convey pure emotion, JPEG cuts out the artist's emotion and lets it emerge from within the algorithm. Carefully you could categorize the work as *compressionism*. An art form where the machine speaks in its own raw language, but nevertheless makes a direct touch to our human heart.

JPEG is a collection of generative images in the JPEG file format. The work tries to break with the idea of the fixed file format, therefor creating the JPEG entirely from code using no image material whatsoever. The individual JPEGs are generated responsively at the moment of viewing based on the token hash as a random seed. You can literally drag the JPEG out from the browser window.

JPEG pays tribute to interface culture, and as such the work is responsive and not scaling. When the work is resized, the work is again rendered and compressed. When viewed smaller, details will disappear, yet the composition stays recognisable. It’s like stepping back to see a work from further away. The choice of color wanders from monochromatic tones to the brutality of complete randomness and everything in between.

In honour of the blockchain and the web, the work is written in vanilla JavaScript, using no dependancies, and generates a standard JPEG. This way the file is downloadable, aiming for a materiality that comes as close as possible to the standard browser.

Kazuhiro Tanimoto

@Kazuhiro Tanimoto

Wabi Sabi

GHOST IN THE CODE

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