Cole Sternberg is a conceptual artist who lives and works in Los Angeles.

His practice contemplates humanity’s existential quandary: that of being hopelessly destructive, yet forever and inevitably linked with nature. Through varied media (including painting, sculpture, installation, performance, photography, film and writing), Sternberg positions the aspirations of humankind against the dominant and regenerative forces of the environment and the arbitration of time. For the artist, the conclusion is unavoidable. Human enterprises -- art, language, history, law, and republic -- are ephemeral / illusory endeavors that attempt to reflect, parallel, and challenge the ascendency of nature to no avail.

His works are held by major collections throughout the world, such as the Los Angeles County Museum of Art (LACMA), the Pérez Art Museum Miami (PAMM), the El Segundo Museum of Art (ESMoA), the American University Museum (AUM) and Deutsche Telekom. It has been featured in publications such as, the New York Times, Wall Street Journal, Whitewall Magazine, Issue Magazine, Autre Magazine, Hercules, Denver Post, Miami New Times, LA Weekly, Art Ltd., Architectural Digest, Angeleno, Sleek, Metal Magazine, ArtNet, Cool Hunting, Huffington Post, Elle, Flaunt and Elephant.