Inside the computer there’s a digital hand. The hand selects a metal implement, cuts off a slab of clay, and carves into its surface. It wanders like your hand wanders; it carves imaginary contours, sinuous and exploratory. It doesn’t know the end result so it carves lines until it feels content, and then it numbers the piece and stamps its maker’s mark. It fires the slab in a digital kiln (it calls this “minting”) and through this act its art is preserved for millennia. The hand runs its fingers over the textured surface, feeling satisfaction at having spontaneously produced a piece of art so beautiful, expressive, and unique.

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Ceramics is a generative sculpture that mimics the physical expression of carving into clay. Through uncanny naturalistic rendering it challenges our notion of “handmade”. It asserts that the value of handmade isn’t the time it takes to make the work nor the physical materials consumed, but the endless small decisions and serendipitous details that appear along the way, as can be felt in each Ceramics mint.

Despite the handmade nature of Ceramics the outputs cannot be touched. Highly tactile images enchant the viewer to imagine their tangible representations, and leave them to dwell on their perception of materiality — both in the experiential physical world and conceptually-infinite digital space.

Ceramics

Synapses is a generative study on movement and texture. Thousands of particles flow in space leaving a trail of their journey. the movements are inspired by swarm behavior and flocking mechanism. The trails when left by each particle resembles the graphite or carbon smudges on the white canvas. The particles follow either single or multiple vectors to create these intricate details.

Synapses

*Please Note: This is an Exponential Dutch Auction (no settlement). The price you purchase is the price you will pay.*

An ideal human being is one big optimization problem. We have a goal - we optimize our actions to maximize the outcome of this goal. 
In our initial days, we optimize to stay alive, during school, we optimize to study well, gain skills and obtain the best scores.

As we progress in our careers we optimize to get the most amount of money, material growth, and maybe even influential growth such as fame.

As we age we optimize to minimize diseases and maximize our lifespan - we workout, we eat healthily, we retire, and rest 

As ideal as it sounds, how do we know what exact actions would lead to maximizing my outcome? At this very moment - instead of reading this should you be doing something else that would make your life’s outcome better? Maybe, maybe not - We don't know... Although, we do find out through trial and error. 

In the grand scheme of things we’re just an agent exploring actions around us, learning which ones increase our reward and choosing the path that seems to lead to the maximum reward. Cerebellum is a window (pun intended) of the human mind - a continuously evolving art piece that is built on top of a reinforcement learning agent that is learning and optimizing and evolving as you see it. 

The project starts with an untrained model of a reinforcement learning agent that is deployed in an environment where it is faced with positive reward and negative reward. The agent is also equipped with a bunch of eyes that lets it sense the objects around it and judge if it wants to go ahead and consume the object or abstain and move in a different direction. The agent here is optimization to maximize its positive rewards while avoiding the negative ones. How does the agent know if a reward is positive or negative? - It learns that after experiencing a bunch of samples. And the magic is - all of this happens in your browser. The seemingly random motion of the agent at the beginning running into everything it sees subsides with time as it learns better about the environment and only hits on the positive rewards. How fast does this happen? Depends on your luck - every art has agents with varied number of eyes and range of these eyes. In addition with every refresh your agent would start from a new place, taking a new path - a path that might lead to it learning things at a different pace depending on what it comes across as it explores. To add some practicality - the environment also has some walls, elements that just block the agent from moving doesn’t add or decrease rewards. Hinders the agent’s movement, lets it find a different path - sometimes this is needed for the agent to strategize, sometimes it's just a hindrance… I’ll leave this to your imagination as you see the agent in action…
The seemingly random motion - the path towards true understanding - the process of optimisation is captured by the windows. Windows that show the beauty of this process expressed in a variety of ways. 

Cerebellum is a window into the black box of AI, an unapologetic exaltation of the unpolished, an ode to the process and its aesthetic vernacular.

+ Press 'p' to switch from 2d/3d views
+ Press 'e' to expose the reinforced learning layer
+ Press 't' to pause/unpause the training of the agent
+ Press 'w' to randomize the walls of the training environment

On mobile, tap to switch from 2d to 3d

Cerebellum

A synthesis of over 777 days of generative artmaking, motion as survival, and coding as transformative ritual. Sky gardens of trustless techno-leviathans crystallize, entangle, and play between dimensions online and AFK, generating new forms altogether. I channel these speculative phenomena to highlight the fluid, transformative possibilities of structures perceived as rigid and immutable. Their intricate geometries move freely beyond limited social media compression that severely reduces the experience of digital art. These formations also embody choreographic elements from collaborative live coding dance performance.

glitch crystal monsters

Translucent color bubbles playfully mix and morph to create organic and ephemeral blobby forms. [Shortcuts] spacebar: pause/resume, s: save screenshot, 1→5: high→low resolution. If needed, please adjust resolution or window size for optimal performance.

Art Blocks Curated

Ceramics #54

Charlotte Dann

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