Singularity

Para Bellum(*) is about the conflict of emotion and gut instinct versus logic and reason. 
Emotions are portrayed by color fields; logic is illustrated by words.
These two forces are fighting for dominance over the canvas.

Under the hood, ​​Para Bellum utilizes a thin language engine that was trained by reading dozens of books about rebellion and anarchy to generate (mostly) non-existent English phrases. An on-chain embedded font is used to render the familiar, readable letter shapes against the abstract fuzzy color fields.

(*) Para Bellum is half of the Latin phrase “Si vis pacem, para bellum”. If you want peace, prepare for war.

Para Bellum 

white noise contains all possible harmonics/notes/chords. by filtering out narrow frequency bands from the noise, pure sine wave “notes” become audible. we’ve limited these bands to only ever reveal specific notes from a particular musical scale. 

each piece then, is a unique iteration of this scale with different notes from it gaining prominence. sometimes they will be chordal and sometimes dissonant but always beautiful because the scale is beautiful.

visually, the white noise is represented by particles which congeal into dense lines. each line that appears is a specific note you can hear and it's amplitude is defined by the corresponding particle density. chords are represented by the lines crossing over each other.

so in summary, it's a quite literal visual representation of sound moving from an arbitrary form to musical form. natural order from chaos with infinitely variable patterns depending on which notes are audible. 

*note we’ve implemented the following variables for more radical variation in particle behavior in addition to the random generation of notes and their corresponding patterns.

- particles will either form straight line shapes or curved shapes 
- particles with vary in size from one iteration to another 
- particles will either favor white or black as their prominent b&w bias creating stark contrast between iterations as well as variables in between the two extremes
- some iterations will reveal faster and some slower

montreal friend scale

Screens have been at the heart of art mass production and mass consumption for ages. From screen printing techniques, first developed in China around 1000AD and later popularized in western art culture by e.g. Andy Warhol, to the screens on our devices used to consume both digital art as well as most traditional art we experience in our life.

The "Screens" series is a celebration of modern art. It is inspired by the aesthetics inherent in screen printing along with the compositions and colors of both Bauhaus, Constructivism, and pulp fiction sci-fi covers.

The compositions in "Screens" is based purely on strict geometries and plays with the tension, and symphonies that can be created from combining simple rules. The end result can range from chaotic non-figurative to strongly ordered isometric scenes.

The generative system underlying the rendering mimics the screen printing process by rendering and applying a single color at a time to a master image. Each virtual screen may be more or less aligned with the master, creating a lovely flawed balance to the precision of the rendered geometry.

25% of the proceeds from this project will be donated to Den Blå Planet, The Danish National Aquarium, in support of their work on preserving and restoring marine life and ecology.

Screens

The essence of all things digital is– the bit. One or Zero. On or Off. Where digital becomes analog. This piece pays tribute to our digital legacy of 8-bit color and 7-segment LED displays– technological limitations which are mirrored in the constraints of putting art on the blockchain. Although the image represents the art, the art of the token itself is the code– which renders everything bitwise, pixel by pixel, all contained within 27-bits of information.

27-Bit Digital

Every Singularity is unique. Each form’s properties; Symmetry, Chaos, Mass, Force and Turbulence are driven by data extracted from the transaction hash.

Singularity
Hideki Tsukamoto
1024 of 1024 minted

tokens