Dreamy landscapes inspired by the Rockies. 50% of the minting proceeds for Speckled Summits will be donated to GiveWell's Maximum Impact Fund (https://www.givewell.org/maximum-impact-fund). Additionally, during the Dutch auction component of the release, any net proceeds above the 0.24Ξ ending mint price will be donated as part of this donation to GiveWell.

Speckled Summits

Moses’ Tunnel Series stem from the human mind’s natural impulse to imagine new, possible worlds.

The artist’s starting point is light: when set into certain patterns and angles, the eye perceives it as distances that can lead into thresholds, where time and space doesn't exist, and where contours are absorbed with such an astounding force that their reality gets twisted.

These artworks provide a personal, intimate escape. They free the viewer from the weights of everyday burdens, led by the artist through a door into the extraordinary, into the unknown.


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Túnel Dimensional

_Libra_ functions as a manifesto that rejects digital art made from mimetic processes – the emulation of traditional analogue mediums and techniques. Such techniques are ubiquitous in digital art and arguably hamper the development of genuinely new aesthetics and new discourse for such a budding medium. 

Artists use digital mediums to mimic physical characteristics like brush strokes or textures of clay. It is not to say that these effects are not successful. Emulation of analogue artworks grants the digital work a natural, relatable and seemingly physical character. This use of the medium simultaneously distances the work from typical connotations of digital artworks being lifeless, flat, precise, and rigid. Perhaps this mimicry makes the work feel ‘finished.’ Digital techniques infiltrated painting in the 90s and early 2000s. At that time artists like Albert Oehlen and Jeff Elrod merged digital and analogue techniques to create a sort of ‘screen space’ on the canvas – something somewhere between a painterly space and a digital space. The Skarstedt Gallery, who originally presented Oehlen’s exhibition titled Computer Paintings, proclaimed that limitations in computers pushed Oehlen to ‘finish’ the paintings by hand – the paintings “required a human hand to enhance the final product.” That is to say that Oehlen augmented the digital works with an analogue technique. This is quite related to the current movement in digital art. Digital artists augment their works with emulations of analogue techniques. This observation raises the question: what does digital art look like when it does not emulate analogue art? Can such a work exist and feel ‘finished’?

To investigate such questions, _Libra_ generates imagery from first principles and default settings – two conflicting concepts that when brought together bring balance to the artwork. Each invocation of the algorithm directly uses the hash as the paintbrush: _Libra_ creates color-fields and blurs by placing the hash characters onto the canvas until it is sufficiently covered. Each character is initially recognizable as a letter or number – something we may all be familiar with. As the screen fills with more and more characters, some become unrecognizable and part of a larger system. Through these actions the hash is transformed into minute and carefully placed strokes that create illusions of light, space, and form that is unique to the screen space in which digital art lives. The remaining, recognizable characters ground our eye and act as a ‘staffage figure’ in a landscape painting. 

_Libra_ rejects traditional standards of aesthetics and beauty; Instead, _Libra_ embraces self-reflexivity and a contemporary definition of  kitsch – often a pejorative used to describe ‘low-brow’ or naïve artwork that is appreciated ironically or in a cult-like manner. In this series, a colored dot is dragged around the canvas both irrationally and without control. Drawing our attention in, this dot transfixes the viewer in an effort to shift the viewers’ attention from glancing at the work to a sustained look. These strokes are naïve and highly stylized – they embody the kitsch – and are mockingly-emulative of painterly marks and linework and grants the work a tone of self-reflexivity. Kitsch is obtained with drop shadows that create simple but satisfying _trompe l’oeil_ effects and fabricate a false sense of depth. Such an effect can be interpreted as humorous: this is an obvious and ironic representation of depth – it is totally fake and recognizable as fake on the flat digital display in which _Libra_ lives. 

Libra is a careful balancing act that creates form and color only to erase it.

Libra

*“As we paint we move along step by step. 
We realize that we are guided in our work by awareness of life.”* 
― Agnes Martin, 1979

Steps is an invitation to slow down in order to explore a subtler dimension of reality,
where we can transcend our human nature,
where two successive moments are never exactly the same,
where we continually feel held and supported,
and where each step, even if insignificant in appearance, can reveal unbounded peace.

**Interaction**
Click or Tap or Space key: Pause / Unpause animation

**Prints**
The first 50 editions minted will come with a free signed print of the token at the size you choose among the 3 available (8.5” x 11”, 13” x 17” or 17” x 22”).
All token holders will be able to purchase a signed print of the Steps mint they currently own. 
For non-holders, a curated selection of unsigned prints outside of the minted set will be available.
More information on prints can be found [here](https://johan.studio/work/steps-prints).

**Thanks**
To my dear mother Colette, for taking me to art exhibitions at a young age and developing my enthusiasm & curiosity for visual art.
To my friend Patricio, for sharing his talent, experience and knowledge with such generosity.
To the Art Blocks team, for believing in this project and creating community & opportunities for artists.

Steps

Scoundrels are a limited edition of on-chain generative pixel art characters tokenized on the Ethereum blockchain.
This ragtag bunch of thieves and misfits are perfectly capable of relieving anyone of their most prized possessions.

Art Blocks Presents

Speckled Summits #27

Jake Rockland

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