Calendart

For many of us, our calendars can be a source of dread and stress. Calendart is inspired by the chaos of events that populate our everyday virtual lives and reimagines them as art.

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Background

Chaos

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Totem of Taste is all about the donuts. More than donuts, it is about taste buds.
It celebrates the delightful, sweet, and mysterious flavors that the tip of your tongue wants to remember but cannot disentangle.
In a bite, one sense ignites another.
On the palette, a color blends with its ethereal neighbor.
A point moves in tandem with millions of other points to reflect the monumental presence of food in our lives in real-time.
The donuts are made with strange attractors – dynamic systems that are extremely sensitive to initial conditions. The algorithm guides the trajectories of the points until they settle into deterministic shapes to naturally form textures.


[Minimal interaction involved. Press 's' to save to the current screen size.]

Totem of Taste

Stroming is a generative abstract project that wraps colorful streams around bold geometric shapes. The transaction hash is used to assign unique attributes to each Stroming, such as scene selection, colorscheme, intensity, modifiers and more.

Stroming

Moses’ Tunnel Series stem from the human mind’s natural impulse to imagine new, possible worlds.

The artist’s starting point is light: when set into certain patterns and angles, the eye perceives it as distances that can lead into thresholds, where time and space doesn't exist, and where contours are absorbed with such an astounding force that their reality gets twisted.

These artworks provide a personal, intimate escape. They free the viewer from the weights of everyday burdens, led by the artist through a door into the extraordinary, into the unknown.


Controls
L or U to lock or unlock steering
Space bar to pause 
Up or down arrow to resume motion

Túnel Dimensional

***"Ode to Untitled"***  is a culmination of inspiration from the color field and minimalist painters of the 20th century.  While my medium has changed from disc golf discs, to canvas, to digital canvas, to digital photography, and finally to code editor - the inspiration and output has remained abstract.  Seeing the works of Clyfford Still, Morris Louis, Agnes Martin, Barnett Newman, Mark Rothko, Ellsworth Kelly, Frank Stella, and Kenneth Noland (among others - hi Roy) seeded my desire to create visual art.

What many of these artists have in common, sometimes for differing reasons, was a fondness for naming their works *"Untitled"*.  Clyfford Still was entirely dedicated to this practice, while others came and went.  When other titles were used, often they were nondescript cataloging values or a rote description of the colors or shapes found in the work.  And, of course, abstract art history in general, and our current day, is littered with *"Untitled"* works.  Whether a desire to leave interpretation open to the viewer, not wanting to sully their visual work with words, a dedication to minimalism, or laziness - it's all fine with me.

While "Ode to Untitled" is not a direct reflection of any particular works, you will see influences shining through:  zips of color streaking across the canvas, an appreciation of the simple square and grids, a focus on texture, large fields of color, and a love of minimalism.  This one goes out to all the *"Untitled"* works.

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Art Blocks Presents

Calendart

steen & n-e-o

About Calendart

steen & n-e-o

Algorithmic edition of 365

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Art Blocks Presents

Calendart

steen & n-e-o

About Calendart

steen & n-e-o

Algorithmic edition of 365

Additional details

.css-1n7p6r6{fill:var(--color-primary);transition-property:background-color,border-color,color,fill,stroke;transition-timing-function:cubic-bezier(0.4, 0, 0.2, 1);transition-duration:200ms;margin-right:16px;}Filter (0)

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Totem of Taste

Hannah Yan

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