"Foliage" is a moment of pause. The project is born from the futile attempt to catch a breath of wind, the one that no one sees but everyone notices when the leaves hang trembling. Inspired by long days near the Rio de la Plata studying the wind, this series of 250 foliage is an exploration of how angles and colors can generate the illusion of movement and harmony. "Foliage" is inspired on wind data visualizations where the use of angles and vectors speak of a trajectory. Winds, like data, travel through our world leaving a trace;  this time hosted immutably on the Ethereum Blockchain.

Foliage

“Paramecircle” explores circle packing inspired by the biology of single-celled organisms. Internal structures interact with each other in differing ways, creating a multitude of different “Paramecircles”. 64 color pallets and a monochrome mode provide that visual contrast while the other internal algorithms determine how objects are packed.

Paramecircle

Somewhere between worlds forgotten and worlds not yet discovered, Sisyphus labours tirelessly. At the mercy of the Gods and their disdain for his cunningness, his destiny is bound to his artistry. Rock by rock, trench by trench, on mountaintops and in the pits of the underworld, Sisyphus forges his creations. When will he have bought his freedom? When will he have made his peace? As the Gods keep playing dice and the numbers roll in, Sisyphus toils relentlessly.

The Liths of Sisyphus

Initially worn by miners and cowboys, roughly half of the world’s population wears denim on a given day, and the range of styles is–literally–endless. A new pair of jeans might be acid bleached, sandblasted, stonewashed, or tie-dyed; it can have hand-sanded rips and tears, followed by visible mendings, patches, intentional paint stains, and more. In an epic attempt to crack the genetic code of denim, Jenim playfully but carefully observes and translates the warp and weft of denim into generative code, weaving unique iterations of irregular, distorted, or hyper-realistic textile crops.

Ironically, imitating aging, a pair of jeans produced today generates more pollution and labor than most average garments. In response, Jenim’s minted iterations go beyond wearables and into infinity. Each year that passes, the color might fade slightly; the rips might expand. Who knows what these artworks will look like ten or even fifty years from now?

Jenim

Incomplete Control is about letting go, allowing room for error and imperfection. It is a meditation on the relation between analogue and computational aesthetics. The output space is a continuous spectrum. Each iteration has its own character to discover and enjoy, if you are willing to give it the time.

Art Blocks Presents

Incomplete Control

Tyler Hobbs

About Incomplete Control

Tyler Hobbs

Algorithmic edition of 100

Additional details

More in Art Blocks Presents

Foliage

Falko

Paramecircle

Alexander Reben (artBoffin)

The Liths of Sisyphus

nonfigurativ

Jenim

Orr Kislev & Alona Rodeh

Art

Company

Learn