Variant Plan

Variant Plan (F01Y20) is an exclusive generative art commission for Variant Fund by Jeff Davis. Each work in the series contains a randomized hash string that determines a unique layout and color placement for the plan. Every plan is unique and all logic for the artwork is stored immutably on the Ethereum blockchain.

'Orthogone' is a succession of main colored rectangles, echoed with white - sometimes black - rectangles. You may guess buildings or squared ricochets, and sense the underlying rhythm.

Orthogone

- Click and drag (dont forget realease) to find new combinations. Go to the center to close the interference. Go to the edges to open it.
Double click change mode (Auto - Tactil )

INTERFERENCES is about reordering the elements, altering the parts that make up the shapes and identifying the possibilities of color ordering.
Here, the variability is found in the subtle, seeking to challenge the sensitive vision of the viewer, generating displacement effects, or simply proposing a minimal visual design.

Interferences is an excuse to return to color theories from the Bauhaus and Latin American cinetics artist, that made up the artistic avant-garde of the 1950s. From there, the project seeks to continue developing on the relative characteristics of color: those situations in which our experience of the color changes according to the context. How to use color? It's not what colors, but how colors are used that define artists.

The instability appears as a game in the work on the form, breaking out the circle as a standard of harmony and perfection. How far can you continue to recognize a shape? It is this instability that suggests movement, like a photograph of a moment in the sequence, waiting to be completed.

What characteristics does the work of art of web3.0 must have? That was one of the questions that motivated this work. There could be several answers, but I think one of them would definitely have to do with the possibility of change: is not a jpg, is not a .mov: it is a piece of software that you can touch and modify, find new possible outputs and play with variability.

Interferences is a project of #purevisibility: there is no message. There is experience.

Interferences

This series delves into a glitch style technique called pixel sorting, which is generally known to be used as a post-processing method in photography. Pixel sorting is a procedure that isolates segments of pixels and sorts their positions based on any number of criteria (i.e. luminosity, hue, saturation). 

Assorted Positivity is a generative approach to making pixel sorting art without any photographic base. The algorithm uses several types of noise to generate an initial design, each one unique to the token and specifically conducive to pixel-sorting. The sorting displaces pixels in various directions based on their grayscale value; and hues determine how the sorting ends. Sometimes the sorting lends itself to a sort of drip look and other times it presents itself as depth and shading.

This project was initially influenced by my desire to sort past the ubiquitous negativity online and focus on the positivity, generosity, and genuine thoughtfulness that I have witnessed around this genart space--with collectors, artists, and people who simply appreciate the community.

Integrated into each piece is an uplifting adjective that is visible, yet blended into the art. At a glance, the viewer may not notice the steganographic message that is conveyed by an international visual method of telegraphing words. Each word is one that I imagine being used to describe people in the community, their actions, artists, and/or their work.

Every output brings me joy, and is a reminder to treat others with kindness and positivity.

Watch as the pixels sort themselves out. 

Rendering is best viewed in Chrome on a desktop with a high end GPU.

A portion of the proceeds will go toward the international Make-A-Wish Foundation in the hopes of bringing some joy to critically ill children around the globe.

Assorted Positivity

***Ingress*** is an immersive, interactive virtual space filled with color and lights. A visitor stands in the middle of the synthetic space with nothing to define their orientation or the interior scale. Sight direction might be an initial clue to the positioning, but as it turns out, it would be misleading. Floating, pulsating, and blending lights either close the surroundings or open it to infinity. Even though there are no restrictions in viewing direction, the visitor's position is bonded to the center. 

The feeling might be calming, or disturbing. One might find it a beautiful and peaceful surrounding for contemplation, while others will recognize reminiscences of dark video games. Some spaces might be perceived as energetic music clubs, while others will resemble temples' interiors.

Mobile rendering brings an even more powerful experience. When the device is moved, the visuals change accordingly. A small screen held in the viewer's hand turns into a discrete window allowing for some augmented voyeurism. The urge to see the hidden space makes the visitor move around, reach out and discover the ambiance. It's an opportunity of experiencing the second world, located in an unknown dimension.

Mobile devices are recommended for the most augmented and immersive experience. 
*Use a chromium-based browser for the best experience (e.g. Chrome, Opera). iOS devices need orientation data permission.*

On desktop devices, a fullscreen display is suggested.

***navigation:***
mouse: `LMB + drag, scroll`
keyboard: `arrows, +, -`
mobile: `interactive, pinch`
view presets: `[1]` – still camera, `[2]` – predefined camera movement
save image: `[s]`

Art Blocks Presents

Variant Plan

Jeff Davis

About Variant Plan

Jeff Davis

Edition of 200, x remaining

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Orthogone

Pandelune

Interferences

Juan Pedro Vallejo

Assorted Positivity

steganon

Ingress

Paweł Dudko

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Company

Learn

Art Blocks Presents

Variant Plan

Jeff Davis

About Variant Plan

Jeff Davis

Edition of 200, x remaining

Additional details

.css-1n7p6r6{fill:var(--color-primary);transition-property:background-color,border-color,color,fill,stroke;transition-timing-function:cubic-bezier(0.4, 0, 0.2, 1);transition-duration:200ms;margin-right:16px;}Filter (0)

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Orthogone

Pandelune

Interferences

Juan Pedro Vallejo

Assorted Positivity

steganon

Ingress

Paweł Dudko

Art

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Learn

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