Per Kristian Stoveland (perkwerk) is a generative artist based in Oslo, Norway. After graduating from The Oslo School of Graphic Design in 2003, Per Kristian pursued a career as a graphic designer-turned-coder and developer. We had the opportunity to speak with him about the upcoming release of his Curated project, The Harvest.

In Conversation with Per Kristian Stoveland

Save the date! Help us celebrate with a weekend full of art, conversation, friendship, and surprise.

Third Annual Open House Weekend

Our Friendship Bracelets project started off as a token of appreciation to our community of creators, makers, builders, and collectors. It’s been a thank you, as well, for being a part of this movement and helping to push art and community forward.

Friendship Bracelets: An Overview

«Ottocento» is a collection of generative portraits of fictional historical figures. The series starts by exploring the nuances of the male figure as represented in the 19th century («Ottocento» in Italian). Further chapters of the project, focusing on different identities, are planned. The illustrations, drawn by hand and then converted to digital, constitute an ironic portrayal of the society of that era. The portraits, all in the same three-quarter view, reference the typological projects of German photographer August Sander.

Individual features and expressions are combined through the controlled randomness that generative art affords, deliberately blurring clear visual distinctions between nationalities, roles, and social classes. The result is an «Esperanto» of human types with an uncanny familiarity. Is that a poet? A salesman? An aristocrat? A farmer? Unlike Sander’s project, «Ottocento» doesn’t force any labels on the characters, eventually leaving the interpretation open to the viewer.

Ottocento

*3 Minute Meditations* is a set of audio/visual generative-art NFTs designed to provide the listener with a short, meditative experience.  Each *3MM* starts with a **unique fundamental frequency** and composes harmonics on top of it. One of these harmonics is a **binaural beat** that ends in the **delta** or **theta** band (associated with **mediation**, **deep** and **REM sleep**).  The others take shape as a combination of **constant and arpeggiated tones** to form an entrancing soundscape that moves through **temporary dissonance** into **climactic harmony**.  The associated visuals are representative of the sound, and follow a journey that mirrors the **sonic meditation**.

** ***The focus of this piece is the audio, which must be enjoyed with headphones in order to properly realize its effects***. **

Listeners can watch the visuals as well, or close their eyes and **sink fully into the auditory experience**.

3 Minute Meditations

Cryptocountries is a limited-edition series of digital prints using the medium of generative art. Each map is created by first procedurally generating a terrain height map and then rendering a map in a range of different styles and colours. Each print derives its randomness from a corresponding hash constraining the infinite possibilities for each print in the edition to a single unique image.

The series invites the observer to lose themselves in a selection of maps and annotated photographs from the unorganized archives that loosely chronicle the travels of a stranger in a mythical land.


## Prints 

All original token holders that mint a piece over 1.5 Ξ will be eligible for a single edition (1/1) handmade signed print of their edition using a printmaking technique suitable for the style of image (intaglio etching, screenprint, cyanotype, etc.).  The token holder will be consulted in the creation of their print. Size, paper choice, type of ink and even colours can be customized and chosen to suit the token holder's preferences.   

In addition, free signed digital prints on archival paper will be available to the following collectors
- All original holders that mint over 0.6 Ξ will receive a large signed digital print
- All original holders that mint over 0.3 Ξ will receive a medium signed digital print

All token holders will be able to purchase a signed print of any mint they currently own.

More information on prints can be found [here](https://www.michaelgdevereux.com/cryptocountries-prints).

CryptoCountries: The Unpublished Archives of a Mythical World Traveler

This piece began as a formal study in composition using simple layered shapes, but when I started experimenting with animation it took on a life of its own. The final work visualises in form, colour, and motion the tension between social conformity and self-expression. At times all of us are required to keep ourselves under control, so that we can live and work together without having to negotiate a thousand tiny idiosyncrasies. Other times we are free to act as wild as we like, but even within this freedom we often find ourselves expressing different kinds of alignment and harmonisation. Negotiating our lives involves finding a balance between these forces: conformity and harmony on one hand, and expression and freedom on the other. As long as we share space with others, we must always think about how our actions fit in with those of the people around us.

LIA has been making [generative software art since 1995](https://www.liaworks.com), and her work has been exhibited in museums and galleries worldwide. This piece extends her signature process of overlapping simple shapes in complex ways, applying a new quality of motion to paint and re-paint the composition, forming hypnotic, shifting patterns of movement and stillness.

*Instructions*
Animation runs automatically - click/tap to pause and unpause

WARNING:
This art work may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.

Being Yourself While Fitting In

_Libra_ functions as a manifesto that rejects digital art made from mimetic processes – the emulation of traditional analogue mediums and techniques. Such techniques are ubiquitous in digital art and arguably hamper the development of genuinely new aesthetics and new discourse for such a budding medium. 

Artists use digital mediums to mimic physical characteristics like brush strokes or textures of clay. It is not to say that these effects are not successful. Emulation of analogue artworks grants the digital work a natural, relatable and seemingly physical character. This use of the medium simultaneously distances the work from typical connotations of digital artworks being lifeless, flat, precise, and rigid. Perhaps this mimicry makes the work feel ‘finished.’ Digital techniques infiltrated painting in the 90s and early 2000s. At that time artists like Albert Oehlen and Jeff Elrod merged digital and analogue techniques to create a sort of ‘screen space’ on the canvas – something somewhere between a painterly space and a digital space. The Skarstedt Gallery, who originally presented Oehlen’s exhibition titled Computer Paintings, proclaimed that limitations in computers pushed Oehlen to ‘finish’ the paintings by hand – the paintings “required a human hand to enhance the final product.” That is to say that Oehlen augmented the digital works with an analogue technique. This is quite related to the current movement in digital art. Digital artists augment their works with emulations of analogue techniques. This observation raises the question: what does digital art look like when it does not emulate analogue art? Can such a work exist and feel ‘finished’?

To investigate such questions, _Libra_ generates imagery from first principles and default settings – two conflicting concepts that when brought together bring balance to the artwork. Each invocation of the algorithm directly uses the hash as the paintbrush: _Libra_ creates color-fields and blurs by placing the hash characters onto the canvas until it is sufficiently covered. Each character is initially recognizable as a letter or number – something we may all be familiar with. As the screen fills with more and more characters, some become unrecognizable and part of a larger system. Through these actions the hash is transformed into minute and carefully placed strokes that create illusions of light, space, and form that is unique to the screen space in which digital art lives. The remaining, recognizable characters ground our eye and act as a ‘staffage figure’ in a landscape painting. 

_Libra_ rejects traditional standards of aesthetics and beauty; Instead, _Libra_ embraces self-reflexivity and a contemporary definition of  kitsch – often a pejorative used to describe ‘low-brow’ or naïve artwork that is appreciated ironically or in a cult-like manner. In this series, a colored dot is dragged around the canvas both irrationally and without control. Drawing our attention in, this dot transfixes the viewer in an effort to shift the viewers’ attention from glancing at the work to a sustained look. These strokes are naïve and highly stylized – they embody the kitsch – and are mockingly-emulative of painterly marks and linework and grants the work a tone of self-reflexivity. Kitsch is obtained with drop shadows that create simple but satisfying _trompe l’oeil_ effects and fabricate a false sense of depth. Such an effect can be interpreted as humorous: this is an obvious and ironic representation of depth – it is totally fake and recognizable as fake on the flat digital display in which _Libra_ lives. 

Libra is a careful balancing act that creates form and color only to erase it.

Surface or Substrate

Hash Bits

Running Style

Essay Styling

Emotional State

Film Location

Favorite Color

This descending auction has a start time of {start_time} at the price of {start_price} Ξ and will exponentially decrease until the resting price of {base_price} Ξ is met.

Libra

Cooper Jamieson

1/30/2023, 6:00 PM UTC

Edition of 50

Art Blocks is dedicated to bringing compelling works of contemporary generative art to life. We unite artists, collectors, and blockchain technology in service of groundbreaking artwork and remarkable experiences.

In Conversation with Per Kristian Stoveland

Third Annual Open House Weekend

Save the date! Help us celebrate with a weekend full of art, conversation, friendship, and surprise.

Open Projects

Ottocento

Berubara

0.2 Ξ

101 / 120 remaining

3 Minute Meditations

thetechnocratic

0.1 Ξ

189 / 333 remaining

CryptoCountries: The Unpublished Archives of a Mythical World Traveler

Michael G Devereux

0.15 Ξ

203 / 267 remaining

Being Yourself While Fitting In

LIA

0.2 Ξ

172 / 222 remaining

Friendship Bracelets: An Overview

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Want more? Read Spectrum, the journal of Art Blocks

Art

Company

Learn