Divisions

Invasion Percolation is the first network visualization of modern network science and the first generative network art. The algorithm was built by Albert-László Barabási in 1994, and the surviving 1995 output opened the Hidden Patterns retrospective of BarabásiLab at ZKM Karlsruhe in 2021 and the Ludwig Museum in Budapest in 2020. The release of Invasion Percolation as a generative NFT is part of a hybrid performance involving the metaverse and the traditional gallery and museum space. Each copy of the 782 series, corresponding to the number of links on the published 1995 version of the work, will be printed and each printed work’s title, permanently recorded on the physical artwork, will be the NFT owner who generates the work. In rare instances, the algorithm will generate sculptures that will be 3D printed. The 2D and 3D prints will be shown at the Cyberart Gallery in Boston, Postmaster Gallery in New York, Ludwig Museum in Budapest (Hungary), and New Kriterion Gallery in Csikszereda (Transylvania, Romania), each location receiving unique artworks. With the release of Invasion Percolation as a generative NFT, empty exhibition spaces will gradually fill in thanks to the actions of the collectors, who generate and name the work.

Invasion Percolation

“little boxes on the hillsides, child” is a series of abstract suburban cityscapes powered by a program of LIA’s own design and development. Over the 25 years of her artistic career, LIA's working process has typically involved as much intuition as it does engineering skill, and this piece is no exception. Growing from an initial Processing sketch by way of the artist's careful selection of angles, transparencies, and line weights, a virtually infinite sequence of house-like forms appears and disappears. LIA conceives of her practise as a conversation between her own fluid concepts and the formal precision required of software code; when accidents or bugs appear, they are often treated as a part of this conversation and incorporated into the final work. In this piece the “cheeky blue” and “cheeky red” features arise from a bug in calculating the colour spread, and have been retained for their aesthetic contribution to the images. Taking inspiration from the song “Little Boxes” by Malvina Reynolds, this piece is a contemplation of houses and cities. The cyclical relationship between the construction of homes, the lands and environments they have replaced, and the ecosystems that will eventually replace them is echoed through an infinite production of geometric compositions. “little boxes on the hillsides, child” is the successor of “little boxes on the hillsides, mother”, presented in the exhibition “Synthetic Imagination” at bitforms gallery San Francisco, October 2–November 15, 2021. The NFTs minted on Art Blocks are the children of the “mother” work: brilliantly colourful, they are rendered in stillness as an artifact of the mother program's generative output, whose ancestry can be activated on the Art Blocks website by pressing the 'a' key to reveal the animated process behind the production of the still image. Dutch auction starting at 5Ξ and decreasing every 5 minutes to 0.2Ξ (5→4→3→2→1.5→1.25→1→0.75→0.5→0.4→0.3→0.2), 25% of sales over 0.2 ETH will be donated to charity (5% to the Processing Foundation, 20% to COTAP - Carbon Offsets To Alleviate Poverty).


little boxes on the hillsides, child

Aquatic Zen gardens. Rediscovering the childhood joy of exploring low tide microcosms. Motion and geometry inspired by the mathematical order inherent in everything that surrounds us.

Low Tide

Exhibit 3291 is an ode to the Bauhaus art and design philosophy and style. The Bauhaus design movement started in the early 20th century by Walter Gropius. Bauhaus art and design is recognized by its unique approach to architecture and design noted especially for a program that synthesizes technology, craftsmanship, and design aesthetics. The Bauhaus style is recognized by it's simplicity, pure lines, and geometric shapes, combined with primary-colored chromatic palettes. 

Exhibit 3291 (E.3291) humbly and with honor continues in this timeless tradition. Each mint embraces “ little ornamentation and focuses on balanced forms and abstract shapes ', Exhibit 3291 takes its cue from the classic 1923 Bauhaus Exhibition poster. Using this composition as a template, E.3291 generates unique pieces of art steeped in the Bauhaus tradition. Each E.3291 has a color scheme and variations on the template, including additional lines, shapes and outlines. 

It is my hope that as a collector you feel part of this historic art and design movement.

To request a print, please visit https://www.cryptobauhaus.com/exhibit-3291

Exhibition: 3291

Divisions creates playful abstract compositions that can go all the way up to eleven.

Divisions
Michael Connolly
500 of 500 minted

tokens